Word: ambushings
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...press behaved better when Chelsea accompanied her mother to South Asia in 1995--the first time most reporters got to see the First Daughter up close, having agreed not to ambush her. While many children of the highly placed are attention-mongering monsters or sullen recluses, Chelsea came across during grueling hours of travel as relaxed and friendly, informed without being a smarty-pants, gracious even when sitting cross-legged in a 100[degree] tent for an hour in India with bamboo weavers. She seemed to love her mother, of course, but also to like her, in a way that...
...elite team of government agents is assigned to infiltrate a fortress commandeered by a charismatic maniac. Then comes a fatal ambush of the good guys, and all that remains of our super team is star quality. Can't you see the lighting of the fuse, hear the hopscotch rhythms of a Lalo Schifrin theme? All right, the threat--like most threats in recent spy movies--is domestic, not international. But The Rock, this week's entry in the summer-movie testostero-thon, still looks like an instant sequel to Mission: Impossible...
...already kneeling before her, reciting the lines you had carefully rehearsed. Imagine that you are Bob Dole, just a man, trying to get some traction while running for President. And every time you think you have spotted firm, sensible, conservative ground, there is the Democratic President already crouching in ambush. "If this keeps up, Bill Clinton won't have to make speeches anymore," Dole grumbled last week. "All he'll have to do is find out my stand on an issue...
Last month Grachev was summoned before the Communist-dominated State Duma (the lower house of the Russian parliament). The Duma wanted an explanation for the slaughter of up to 93 Russian soldiers in a rebel ambush in Chechnya. Grachev publicly decried "all the outrages that are happening in this country" and offered to resign, should the Duma require it. "He was signaling to Yeltsin that his loyalty could not be taken for granted," says the defense analyst. "And he [was] also signaling to the opposition that he might not be all that loyal to Yeltsin anymore...
...since the editor must also be a storyteller with scissors. Mel Gibson, director and star of Braveheart, praises editor Rosenblum for his "story sense," which allowed them to cut entire chunks without losing the flow. One cut: a long sequence in which the hero catches wind of a British ambush planned to take place at his wife's grave. Gibson has a graphic metaphor for experienced editors: "They're like great surgeons, able to make the right kind of adjustments in places that most of us wouldn't look for. They get into that room with a pair of scissors...