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...Amedeo Modigliani was handsome, sensual, tuberculous, and usually drunk. He hit Paris at 22, soon started a spree that death stopped in 1920, 14 years later. Sober hours he devoted to painting and a little sculpture. His artist friends, including Soutine, Brancusi and Utrillo, thought him great. His acquaintances thought him accursed. The police thought him a nuisance, closed his only one-man show because the nudes in it were so frankly sexy. The public never thought...

Author: /time Magazine | Title: Art: The Fast Way | 4/23/1951 | See Source »

Montemezzi: L'Amore del Tre Re (Sesto Bruscantini, bass; Renato Ca-pecchi, baritone; Amedeo Berdini, tenor; Clara Petrella, soprano; Aldo Bertocci, tenor; orchestra and chorus of Radio Italiana, Arturo Basile conducting; Cetra-Soria, 4 sides LP). A powerful and passionate performance of Montemezzi's opera about a blind king who throttles his adulterous daughter-in-law. Chiefly remarkable for the beautiful bass singing of the king (Bruscantini). Recording: good...

Author: /time Magazine | Title: Music: New Records, Mar. 12, 1951 | 3/12/1951 | See Source »

...past half-century, School-of-Paris art has been an international product. Among those who contributed most to it were six expatriate Jews: Amedeo Modigliani, Jules Pascin, Ossip Zadkine, Jacques Lipchitz, Marc Chagall and Chaim Soutine. Philadelphia Art Collector Albert C. Barnes once bought 50-odd Soutines at a swoop, called him "a far more important artist than Van Gogh...

Author: /time Magazine | Title: Art: Hot & Heavy | 11/13/1950 | See Source »

...middle-class Flaminia district, was in the driver's stand of the blue-and-white chariot of the Christian Democratic newspaper La Liberta. Handling the whip of the bright red chariot sponsored by the Communist L'Unitá and the poverty-ridden San Lorenzo district was oldtimer Amedeo Valentini, who drove a chariot in the movie Ben Hur 25 years...

Author: /time Magazine | Title: The Press: Freedom Road | 8/7/1950 | See Source »

...like Boccioni, included two of his more famous contemporaries who had followed highly individual paths of their own. One of them, Giorgio de Chirico (who has since become a crusty academician-TIME, May 16), was represented by some of his striking early work foreshadowing the Surrealists. The other was Amedeo Modigliani, a much-loved, short-lived alcoholic who was at his best painting tender nudes and portraits based on African sculpture...

Author: /time Magazine | Title: Art: Lively Proof | 7/18/1949 | See Source »

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