Word: amer
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Dates: during 1970-1979
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When he started out on the project, says Commission Chairman William J. McGill, he thought that the U.S. should have a public network like the BBC. But that, he now believes, should have been done more than 50 years ago, at the time broadcasting began. Public TV in Amer ica is now too diverse for planners to consider a centralized network. "You have to build out of the bedrock of existing structures," insists McGill, who is also president of Columbia University...
Shedding almost all its English allusions, the show is thoroughly Amer- icanized and pervasively vulgar. Littlechap shoots for the presidency and makes it, the first Black ever to do so. Running for office on a ticket of doublespeak, Davis capitalizes on his command of antic mimicry. Donning shades, he struts his way toward the black vote. He woos the hispanics with hip-swiveling tangomania...
William G. Fletcher Jr. '76 is press spokesman for the Task Force on Affirmative Action, a coalition of Harvard women and minority students and workers. BLACK ASIAN AMER. AMER. INDIAN SPAN. SURNAME ALL OTHER TOTAL alary Grade Men Women Men Women Men Women Men Women Men Women Men Women GRADE 1 $433-$565/month 14 23 1 1 0 0 2 2 33 73 50 99 GRADE 2 $470-$605/month 20 50 2 15 0 1 3 10 51 237 76 313 GRADE 3 $505-$660/month 21 87 0 17 0 2 2 12 68 674 91 762 GRADE...
Actually the presentation of material without commentary-what we fancifully refer to as "objective" news-has old Amer ican roots. We have long had a mania for raw statistics and facts of every kind. Even when our press has been particularly partisan or else heavily committed to background and interpretation, the demand for unadorned facts has rarely slackened. This taste was reinforced by our pioneering social science surveys of the early 20th century and it was further elaborated in the 1930s by a series of innovative photographers and cinematographers. William Stott of the University of Texas at Austin has recently...
...worst. The reason was that no later performance could ever measure up to the exaggerations of praise cast on their early work. Meantime, Rauschenberg, mainly through his collaborations with the Los Angeles printmaking firm of Gemini G.E.L., had developed into one of the few major graphic artists in Amer ica. The print suited his liking for swift assemblies of images, and his rest less improvisation tested the limits of defining a print. The latest result includes some of the most remark able graphic images made by a liv ing artist: Rausehenberg's Hoar frost suite, including Mule (see color...