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...endorsing any thing except their common humanity -their common frailty, their need for each other." Although it may be reading the film too much as allegory, the ending, with the survivors back in their shab by Pennsylvania steel town, sitting around a table and softly singing God Bless Amer ica, has the effect of being an absolution, a subtle exoneration of the American role in Viet Nam. Cimino might have intended the scene more as an exoneration of the men who were called on to fight there than of the policymakers who sent them. But that is not necessarily...

Author: /time Magazine | Title: Nation: Viet Nam Comes Home | 4/23/1979 | See Source »

...Harwood (Amer. Inst. for Economic Research...

Author: /time Magazine | Title: Business: Economy & Business, Feb. 26, 1979 | 2/26/1979 | See Source »

When he started out on the project, says Commission Chairman William J. McGill, he thought that the U.S. should have a public network like the BBC. But that, he now believes, should have been done more than 50 years ago, at the time broadcasting began. Public TV in Amer ica is now too diverse for planners to consider a centralized network. "You have to build out of the bedrock of existing structures," insists McGill, who is also president of Columbia University...

Author: /time Magazine | Title: Television: Recasting the Public System | 2/12/1979 | See Source »

...never malicious but they are prime examples in Waugh' natural history of thoughtlessness. Thei egoism, stupidity, conceit and self-regard become the causes for both cruelty and comedy. In A Handful of Dust, for ex ample, Brenda Last cheats on her hus band Tony. He journeys to South Amer ica and ends as the prisoner of an illiterate jungle madman who makes Tony read Dickens aloud to him for the rest of his life. Waugh's most savage literary revenge for past hurts occurs in Black Mischief when Basil Seal unwittingly dines on his girlfriend during a cannibal...

Author: /time Magazine | Title: Books: Fifty Years of Total Waugh | 2/12/1979 | See Source »

Shedding almost all its English allusions, the show is thoroughly Amer- icanized and pervasively vulgar. Littlechap shoots for the presidency and makes it, the first Black ever to do so. Running for office on a ticket of doublespeak, Davis capitalizes on his command of antic mimicry. Donning shades, he struts his way toward the black vote. He woos the hispanics with hip-swiveling tangomania...

Author: /time Magazine | Title: Theater: Life's Clown | 8/14/1978 | See Source »

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