Search Details

Word: americanizing (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
Sort By: most recent first (reverse)


Usage:

...sadly lacks the Bacharach tunes and kitschy cover versions of the first two soundtracks, but it has a solid sense of pop music in Swingin' London, including the Monkees' "I'm a Believer" and the Zombies' "Time of the Season." The Guess Who's original version of "American Woman" also surfaces, the anti-American lyrics making more sense in the hands of Mike Myers' fellow Canadians than in Lenny Kravitz's. Even the '90s pieces have a retro groove: the Propellerheads' "Crash!" fairly smacks of a-go-go. Once again straddling the decades is Madonna's '60s-tinged "Beautiful Stranger...

Author: By Daryl Sng, | Title: Album Review: More Music from Austin Powers 2 | 10/22/1999 | See Source »

...familiar to minority drama hopefuls. That point is the nauseous realization that because of that hair and those eyes, there is no place for you in Harvard theater. "I felt alienated not because of not being cast but because of who I saw [involved]," recalls Saffold, an African-American...

Author: By Frankie J. Petrosino, CONTRIBUTING WRITER | Title: ARTS EXPOSE: Something Rotten in the State of Harvard Theater | 10/22/1999 | See Source »

...many Harvard minorities, the feeling of alienation begins as soon as the theater schedule is published. The vast majority of directors at Harvard are not minorities, nor are the majority of featured playwrights. The Harvard Theater Database indicates that since 1995, August Wilson, a pivotal African-American playwright, has been performed once at Harvard, while European writer Tom Stoppard has graced the stage 4 times and Shakespeare...

Author: By Frankie J. Petrosino, CONTRIBUTING WRITER | Title: ARTS EXPOSE: Something Rotten in the State of Harvard Theater | 10/22/1999 | See Source »

...Most directors attribute their current choices of plays to their own personal tastes. Dorothy Fortenberry '02 of Uncommon Women and Others notes that while she is concerned about the absence of minority playwrights in Harvard theater, she as a European-American woman would be uncomfortable attempting to direct a work by a minority. "Would I be able to do it justice?" she wonders...

Author: By Frankie J. Petrosino, CONTRIBUTING WRITER | Title: ARTS EXPOSE: Something Rotten in the State of Harvard Theater | 10/22/1999 | See Source »

...come to audition. "I actually had a slight bias toward a diverse cast," says director Dan Berwick '01. "The main character in Jesus Christ Superstar is a mob of people, and I wanted people who looked different from each other." Fortenberry notes her own decision to cast an African-American woman in a part written for a Jewish woman. "She was the best person," she says. "I decided to be race-blind and deal with issues as they came...

Author: By Frankie J. Petrosino, CONTRIBUTING WRITER | Title: ARTS EXPOSE: Something Rotten in the State of Harvard Theater | 10/22/1999 | See Source »

Previous | 139 | 140 | 141 | 142 | 143 | 144 | 145 | 146 | 147 | 148 | 149 | 150 | 151 | 152 | 153 | 154 | 155 | 156 | 157 | 158 | 159 | Next