Word: americanizing
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Dates: during 2000-2009
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...program. This summer, Oluwadara A. Johnson ’10 launched a camp for young girls in Nigeria to learn the value of education, enlisting the help of a Nollywood film star to discuss issues of self-esteem. Cherie N. Rivers, a graduate student in the African and African American Studies department, is currently trying to write a rigorous scholarly dissertation while also upholding the aims of the social engagement initiative...
Professor Diane L. Hendrix, who is teaching Making Media Across Cultures in the African American Department for the first time this year, notes the ability of students to apply academic theory in the real world. “Students take this class...and learn about the shifting media landscape from traditional TV broadcasters to the new media of the internet and the influence of YouTube and individual producers on culture,” she says. “They also learn what’s new in development theory and newer approaches to collaborative change in developing nations. Students bring...
However, despite the inventiveness of the program, Higginbotham feels that the African and African American department is simply going back to its roots. “We feel like we are fulfilling a mission that was inherent to the whole call for African American and African studies as we see it today. We feel that we are...living up to a mission that was part of our founding call...” The student protestors of the ’60s and ’70s did not just want to learn about the black contribution to the world...
Whether the program is a novel step toward revamping academia or a return to the African and African American Studies Department’s roots, it is taking education into what Darryl calls the “reality realm.” If there is an ivory tower, Professor Higginbotham is tearing it down...
...foreign tourists trying to peer into Annenberg finally have something new to gawk at in Memorial Hall. The Transept, the space between Annenberg and Sanders Theater, is now home to a public art installation entitled “Constellation (Stranger Fruit)” by Sanford Biggers, an African-American sculptor known for his evocative installations. The work represents the struggles of slaves escaping via the Underground Railroad, a theme Biggers recalls in several pieces. “Constellation” evokes heavenly constellations and quilts marked with secret codes that helped guide slaves to freedom. “There...