Word: americanizing
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...trades personalities. It seems Tommy’s job keeps him too busy to hang out every single second of their screen-time, and so naturally she gravitates towards the only other male character in the story. Oh, and in case it’s not abundantly obvious, all-American Tommy is not what he seems either. At one point, in a particularly egregious move, the film even has him lie to the audience in narration, just so they don’t catch on. Really...
...James Wood’s popular class “Postwar British and American Fiction,” the first half of a lecture is invariably devoted to Wood reading aloud his favorite excerpts from the book under discussion. “Flip to page twenty-nine where Nabokov writes, ‘The cat, as Pnin would say, cannot be hid in a bag.’” Wood grins, before eagerly pushing forward, “Ah, yes, yes! There’s a great bit four pages earlier when Pnin gets dentures and Nabokov describes...
William Faulkner’s modernist classic “The Sound and the Fury” has the reputation as one of the most formidable and tragic novels in the American canon. Surprisingly, appreciating Faulkner’s comedy has drastically changed my perception of the book. “The Sound and the Fury” concerns the disintegration of the Compson family, a declining aristocratic Southern clan living on a once-prosperous plantation. The first three sections are written from the point of view of the three Compson brothers: the mentally retarded Benjy, the suicidal Harvard student...
...Bertolt Brecht and Steve Jobs collaborated on a play about economic downturn, the end result might look something like the lifeless, sluggish production of Clifford Odets’s “Paradise Lost” currently running at the American Repertory Theater (A.R.T.). Brecht would insist on calling attention to the show’s own theatricality, thereby distancing the audience and forcing them to separate their emotions from the action onstage in order to realize an important truth. Meanwhile, Jobs would persistently add more and more technology to the play, to no rational end. This is the feel...
...American black men in post 9/11 popular culture are being portrayed as “heroic terror warriors,” according to Boston College professor Cynthia Young, who discussed her research at a talk with students and professors in Robinson Hall yesterday afternoon...