Word: americanizing
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...President Obama, owing mostly to his modest roots and his adoption of the philosophy that government has a place in preventing people from exploiting each other has been the visible hand that is regulating the excesses of Wall Street. However, far from decrying this, both Wall Street and the American people should be grateful for Obama’s expansive view of the government’s responsibilities...
...collapse of Enron should have been a trigger to those involved in business in America, the American government, and the American populace that there ought to be fundamental changes in the general practices of American industries, such as how liabilities and assets are calculated. It wasn’t—and those who have benefited from the Enron-led train of unscrupulous practices of the market—such as short-selling, betting against the market or hoping it will fail so that you can make money selling for high to buy at very low. or profiting from...
...discovers what many great actors have before him—that one can play essentially the same character in many films, provided that one is entertaining enough to get away with it. In Downey’s case, the intellectually brilliant, heavy-drinking and hard-hitting persona of American arms inventor Tony Stark of “Iron Man” proves surprisingly adaptable to 19th century England. That is to say, all that is needed is a change of accent. This is not a deep role, but a fun one, and Downey recognizes this, delivering lines like...
...symposium will open with remarks from E. Forrest O’Connor ’10, president of the Harvard College American Music Association (HCAMA), and Deborah Foster, a Folklore and Mythology senior lecturer who helped adapt the department’s annual symposium to feature bluegrass music. Brown and her husband Garry West, co-founders of Compass Records—a record label that specializes in part in bluegrass music—will join scholars to discuss the roots of the genre. The day will culminate with an evening performance by Clint W. Miller ’11, Brown...
...jazz was a generation ago, American folk music is beginning—too late, as many enthusiasts insist—to be embraced and studied by the academic world. In that vein, “Fire on the Mountain”—a day-long symposium featuring world-renowned scholars and performers, including Grammy-awarding winning composer and banjo player Alison H. Brown ’84—aims to explore the roots, methods, and culture of bluegrass this Saturday in the Barker Center...