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...autumnal album that’s at once soothing, depressing and—unfortunately—less than gripping. Johnson’s husky growl reverberates around Molina’s baleful, tremulous cry and the two voices combine to nice effect, presenting two different sides to the classic American man: bruised and tough, soulful and exposed. The duo exhibits an effortless mastery of many classic tropes, employed without pretense to keep the album engaging and honest. Unfortunately the album’s traditional song structures and generally unremarkable music cause the songs to run together, and, at times...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: Molina & Johnson | 11/6/2009 | See Source »

...Molina & Johnson’s melancholic strums of acoustic guitar, there are generations of American songwriters and miles of frontier. Both singers have explored a similar fascination with American themes in their other bands. Here, these traditional themes and sounds are omnipresent, and something about Molina & Johnson’s minimalist approach makes them feel better developed. Many similarly spare acts craft their natural sounds. They record separate tracks for fretboard squeaks, chair cricks, and the sound of a thumb dully thumping against the guitar’s body. Here, the sounds feel like natural parts of the recording...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: Molina & Johnson | 11/6/2009 | See Source »

...movies like “Fever Pitch” would make you believe, Boston is the most cohesive, fun-loving, patriotic, American, and classy place on earth. They do have the Red Sox after all. In reality, Boston is one of the most intensely segregated cities in America, both racially and socio-economically, it has one of the harshest and longest winters of mainstream American cities, and its inhabitants are less friendly than New Yorkers and Philadelphians combined. National “road rage” surveys consistently rank Boston as one of the worst cities in the country. Enough...

Author: By Andrew F. Nunnelly | Title: It Ain’t Always Sunny in Boston: Films Lie About City | 11/6/2009 | See Source »

...saccharine of pop songs can. The band slows down the tempo and Cuomo sings with a whiney twinge to his voice, as if trying to emulate the style of the “Put Me Back Together” co-writers Tyson Ritter and Nick Wheeler of The All-American Rejects. “I Don’t Want to Let You Go” sounds uncannily similar to Hoobastank’s 2003 hit “The Reason,” relying on a simple piano melody and slowly heightening vocal theme to convince an unnamed woman...

Author: By Renee G. Stern, CONTRIBUTING WRITER | Title: Weezer | 11/6/2009 | See Source »

Race to the Top is a part of the broader American Recovery and Reinvestment Act. While it constitutes only a small fraction of the $96.8 billion allocated to the Department of Education under the stimulus package, it will be money well spent...

Author: By The Crimson Staff | Title: Obama Races to Fix Education | 11/6/2009 | See Source »

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