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...meager merger announcement gave no details-not even the new corporate name or directorate. No information has been forthcoming about the reasons for the merger. But the implications are obvious; McCann gains many valuable accounts including Congoleum-Nairn, Bon Ami, Valspar, Dictaphone, Agfa-Ansco, Dill Tobacco; and Erickson, which had these accounts among others, gains service facilities of which it has long felt the need. Erickson had only one office (in Manhattan), while McCann has seven in the U. S., three in Europe, four affiliated in Canada. McCann Co., headed by Founder Harrison King McCann, is the larger...

Author: /time Magazine | Title: Business & Finance: Quiet Merger | 9/15/1930 | See Source »

...Ami...

Author: /time Magazine | Title: Business & Finance: Earnings: Aug. 18, 1930 | 8/18/1930 | See Source »

...other words, Fedya is a great character, a coiled complex of frailty and nobility, such as his creator Tolstoy and that other great Russian, Dostoievsky, were particularly apt to conceive. As acted by Jacob Ben-Ami and a large company of Eva Le Gallienne's Civic Repertory Theatre (including a witty bit by the directress herself), most of the values of this celebrated tragedy are apparent. Egon Brecher's depiction of Alexandrov, an artistic hobo with delusions of grandeur, is an uproarious triumph if you can overlook its tragic perspectives...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Dec. 16, 1929 | 12/16/1929 | See Source »

...Ami prefers understatement. When it is necessary for him to lie in vinous stupor on a couch, he forms no such abandoned arabesques with his body as did John Barrymore, who acted an adaptation of this play (Redemption) several years ago. Deliberate, warm, avoiding histrionism. the current Fedya invites comparison rather with the splendid performance given by the famed German actor Alexander Moissi during last year's visit to Manhattan...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Dec. 16, 1929 | 12/16/1929 | See Source »

...these are minor causes for the Repertory's success. The major significance of the theatre is that it proves, like a corollary to the Theatre Guild, that fine dramatic art treated studiously, "artistically," is appreciated in Manhattan.? And though Miss Le Gallienne's chief associates?Jacob Ben-Ami, Josephine Hutchinson, Leona Roberts, Egon Brecher and Paul Leyssac?would merit headlines anywhere, major credit for a serious venture which is one of Manhattan's greatest civic virtues, which has won all but the crustiest critics, must inevitably be Eva Le Gallienne's. At 30 she has become a prominent citizen...

Author: /time Magazine | Title: The Theatre: Civic Virtue | 11/25/1929 | See Source »

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