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During the rare scenes in which Toope does calm down, he shows himself to be a competent actor. Somewhere amidst all that raving and gesticulating lies a good portrayal of Arnolphe. Director Harlod Stone '53 should have toned down Toope's performance and given more attention to his pacing...

Author: By Max Gould, | Title: Muddling Moliere | 4/10/1979 | See Source »

...naturalist demigod nor realist picaresque, sets out on a journey on which depends the future of his race or his nation. He sets out to achieve his identity in the most widely accepted tradition of Western literature: the journey. From the Odyssey to Sir Gawain and the Green Knight, amidst the background of superhuman danger, virtue came in the struggle of the hero and his triumph over evil forces...

Author: By Selwyn R. Cudjoe, | Title: Afro-American Literature | 4/4/1979 | See Source »

Edmund Burke cast an indignant eye across the English Channel at the French Revolution and wrote sarcastically: "Amidst assassination, massacre and confiscation, they are forming plans for the good order of future society." Burke was the prototype of skepticism about certain revolutions. Since the French Terror, history has paraded past too many Utopian dramas of transformation that ended by being as totalitarian, as murderous, as the regimes that they swept away-triumphs of hopeful zealotry over experience. Stalin turned the Russian Revolution into a self-devouring machine that crushed its own in the basement of the Lubyanka. Especially because...

Author: /time Magazine | Title: Time Essay: The Dynamics of Revolution | 3/12/1979 | See Source »

...reau began by shifting the action from the upholstered, hypocritical fin de siècle to the 1930s, in the shadow of Nazism. to the 1930s, in the shadow of Nazism. He and Designer Richard Peduzzi placed the singers amidst stark mausoleum-like sets in monochromatic blacks and grays, all vast, sterile spaces and icy slabs of marble. The results captured the harsh, merciless qualities of the opera perhaps too well. They were undeniably powerful, particularly in the hair-raising scene in which Lulu guns down Schon on an enormous staircase. They were also brutal and at times faintly ludicrous...

Author: /time Magazine | Title: Music: Lulu Is the Toast of Paris | 3/12/1979 | See Source »

...though I've always hated champagne, everyone was wearing real bow ties, and I kept calling the 80-page program a "scorecard," I did, as I always have, know how to laugh. Amidst all my discomfort, laughter once again came to my rescue...

Author: By Bill Scheft, | Title: The Smell of the Crowd | 2/24/1979 | See Source »

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