Word: amoeba
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Dates: during 1950-1959
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...migrations from south to north have carried with them hookworm, whipworm and ascarides. Immigrants in the thousands from the West Indies have brought the parasites of schistosomiasis and filariasis. Hookworm, whipworm and Schistosoma mansoni began to appear in northern cities only in 1950; years ahead of them were the amoeba (a cause of chronic dysentery) and pinworm. Estimated schistosomiasis cases in New York City, 70,000; in Chicago, 2,200. ¶When a small boy swallowed a nail which lodged in the jejunum (second part of the small bowel), Atlanta's Dr. Murdock Equen made him swallow a tiny...
Robert Motherwell's Western Air is cubism smashed flat and with a couple of sky-holes poked through it. It demonstrates how abstract expressionism can make violent use of yesterday's art furniture. Arshile Gorky's Garden in Sochi uses Miro-like amoeba shapes to express an infant memory...
After two years of army duty, Alexis comes home to London and finds Rose ensconced as his uncle's mistress. Alexis coaxes her into a bedroom reunion, but at this point and over the next decade, the plot begins subdividing like an amoeba: 1) Rose takes up with a 20-year-old named Vincent; 2) Sir George dies; 3) Alexis and another of Uncle George's girl friends, an Italian contessa, get high at his funeral and land flat in some French hay; 4) Rose's and Uncle George's daughter Jenny, by now a remarkably...
...amoeba on his scale, Dr. Prescott waits until one of his stock has just divided into two new individuals. Working with a powerful microscope, he picks one of them up with a hairlike suction tube and delicately transfers it to a minute cup on top of the Cartesian diver. It cannot escape, but it thrives slimily on a broth of smaller protozoa. By measuring the pressure that will keep the underwater Cartesian diver on the zero line, Dr. Prescott can weigh his captive amoeba at all stages of growth. When the amoeba has doubled in weight, it generally divides into...
...earth is round, Milhaud's Columbus goes on a purely religious mission: his "new world" represents the "other world," the kingdom of heaven. Columbus himself (sung by Piero Guelfi) is first seen as an old man, fingering the shackles that once held him. Then, quick as an amoeba, he splits in two: the man as seen by his contemporaries and the hero posterity thinks him to be. He sets out on his mission partly because of the arrival of a mystical dove (representing the Holy Ghost), while beyond the seas, certain Mexican deities stir up frightful waves to discourage...