Word: amorally
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Dates: during 1990-1999
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...Black and Gold starts with a seemingly endless chanting of "Amor de rey! Amor de reina!" (Love of the king! Love of the queen!) and the "crown" (middle and ring fingers held in, other three extended) being thrown around all over the place, on top of some heavy beats provided by Sasha Costanza-Chock, who mixed the soundtrack. King Tone, the current leader of the Nation, then talks about his own sense of transformation and that of the Nation, saying that it forces young people to ask themselves "Who are you ? If you don't know...
Black and Gold starts with a seemingly endless chanting of "Amor de rey! Amor do reina!" (Love of the king! Love of the queen!) and "crown" (middle and ring fingers held in, other three extended) being thrown around all over the place, on top of some heavy beats provided by Sasha Costanza-Chock, who mixed the soundtrack. King Tone, the current leader of the Nation, then talks about his own sense of transformation and that of the Nation, saying that it forces young people to ask themselves "Who are You? If you don't know...
...from this effort, they must send dance floors mad. Flavored with touches of salsa and samba, the songs flow seamlessly into each other, from the infectious hooks of the opening "Hasta Luego Mi Hermano" to the delicate vocals of Moonbeam floating over the Latin beat of "El Regalo De Amor." True, Sunshine's spoken-word in "Holler," the odd choice for a first single, is overly pretentious--he sounds like a gospel preacher gone New Age in proclamations like "we must rise to embrace our destiny." But other than that, Bryant Street never lets up, sounding like a recording...
...from this effort, they must send dance floors mad. Flavored with touches of salsa and samba, the songs flow seamlessly into each other, from the infectious hooks of the opening "Hasta Luego Mi Hermano" to the delicate vocals of Moonbeam floating over the Latin beat of "El Regalo De Amor." True, Sunshine's spoken-word in "Holler," the odd choice for a first single, is overly pretentious--he sounds like a gospel preacher gone New Age in proclamations like "we must rise to embrace our destiny." But other than that, Bryant Street never lets up, sounding like a recording...
...first scene is an argument between Virtue and Fortune (Cathy Ellis). Amor intervenes and claims he can show them a superior power. The ensuing action hinges on Nero, played by Christian Quilici '01. Nero seduces Poppea (Tonia D'Amelio '00), sending his wife Octavia (a vitally austere Eleanor Hubbard '01) and Poppea's ex-boyfriend Otto (Carolann Buff) on a plot to murder Poppea. The outcome, the defiant coronation of Poppea and the happy banishment of Otto and his new girl (Drusilla, ably sung by Genithia Hogges `01), is supposed to be a testament to the power of love...