Word: amoreã
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...rest of the cast circulate the room, energetically chatting with the audience and using eyeliner to draw unibrows, goatees, and eyeglasses on the most unsuspecting spectators. “Fusilli the Enforcer,” Don Carbonara’s bodyguard, serenades us with “Amore?? and other North End favorites on his accordion. Then, in the midst of enjoying our cheese ravioli, the lights dim and the star-crossed lovers Toni Marinara and Ditalina Carbonara enter. The couple dances palmer-kiss style until, gasp! Toni mysteriously collapses. We are informed that Toni has kicked...
...confuse “approachable” for “bland.” Frankie’s playing does border on the conservative side, but in his compositions, the depth of his musical knowledge emerges. The amorphous, ethereal introduction to “Mi Amiga Mi Amore?? paid obvious homage to Miles Davis’ landmark album Sketches of Spain, and another self-composed number, “Smooth Ride,” has a lovely and palpably soothing warmth. Frankie always seemed more at home on his own compositions, extracting more complexity from their chord...
...abbreviated dirty funk treatment. Eguie Castrillo occupied a middle space on the congas, sometimes meshing with the rest of the rhythm section’s ideals, but at other times, seeming almost at odds with drummer Nomar Negron, who played drum set. On “Mi Amiga Mi Amore??, the two traded combative fours (four-bar solo segments); instead of amicably pushing each other to greater creative heights, the same goal was accomplished antagonistically, as if they were attempting to show up one another (for the curious, Castrillo won). The spectacle was out of place...
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