Word: amores
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...attention-grabbing weight from the first scene. Monteverdi would have been proud, especially if he had seen the costuming. Perhaps it was the "irony" of looking at the scantily costumed goddess Virtue (Katie Szal '99), or the cute power behind choir boy Jonathan "Yoni" Heilman's role as Amor that so easily distracted me from the layout of the orchestra pit. More probably it was the beautiful magenta flush of the entire stage, revealed at last as the prelude finished...
...first scene is an argument between Virtue and Fortune (Cathy Ellis). Amor intervenes and claims he can show them a superior power. The ensuing action hinges on Nero, played by Christian Quilici '01. Nero seduces Poppea (Tonia D'Amelio '00), sending his wife Octavia (a vitally austere Eleanor Hubbard '01) and Poppea's ex-boyfriend Otto (Carolann Buff) on a plot to murder Poppea. The outcome, the defiant coronation of Poppea and the happy banishment of Otto and his new girl (Drusilla, ably sung by Genithia Hogges `01), is supposed to be a testament to the power of love...
...most recent offering, Del Amor y Otros Demonios, Colombian Nobel Laureate Gabriel Garcia Marquez reconstructs life in the colonialera Americas with his usual flourishes of magic realism. I've always thought that the way in which the Americas assumed its current form, or came to be--through a process shaped by desire and fear--is the most exciting, magical story of all. I feel very much like an explorer of old. So although my adventures in the United States are rapidly coming to an end, my--or rather, our--American adventure is just beginning...
...millionaire. At 21 she could draw a crowd of 20,000 to the fairgrounds in Pasadena, Texas. Last year 60,000 people showed up to hear her in Houston, and her Selena Live won a Grammy as the best Mexican-American album. The single Amor Prohibido (Forbidden Love), from her most recent album, has sold 400,000 copies in the U.S. and abroad. Most of her songs are a form of dance pop that combines Top 40 melodies with the rhythms of Colombian cumbia and traditional Texas conjunto-the border music influenced by Czech and German polkas, featuring accordions...
...Clave recordings showcase every aspect of Piazzolla's brilliance; it is hard to imagine a music lover of any sort who would not immediately fall in love with the erotic sensibility and impassioned brilliance displayed on these albums. By the time you get to the mournful "Sur: Regreso Al Amor," the last track on La Camorra, (a tune which is a perfect illustration of just how much contemporary avant-guard American artists like Tom Waits have drawn from Piazzolla's work) you will have gone on an aural journey with one of the twentieth century's true musical geniuses...