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...opera singers are forever swearing: it is a lovely plot device. Ahab swears his vengeance on the whale. In Don Giovanni, Ottavio vows to avenge the Commendatore by raising his fruity tenor to Donna Anna: "Lo giuro, lo giuro/ lo giuro agli occhi tuoi/ lo giuro al nostro amor" (I swear it, I swear it/ I swear it by your eyes/ I swear it by our love). Was there ever a prettier oath? It is a form of hero's brag. That may explain why politicians are so reckless with hyperbolic promise. (Douglas MacArthur: "I shall return...

Author: /time Magazine | Title: Essay: What Does an Oath Mean? | 8/24/1981 | See Source »

Before AT&T ever thought of it, Patricia has reached out and touched someone. Gerald, who looks as solid as Wall Street before the '29 crash, is love smitten. With a generous helping of comic relief, including Timothy Wallace playing a musical saw, omnia vincit amor...

Author: /time Magazine | Title: Theater: MATING CALL | 2/9/1981 | See Source »

Matt has the haunted, agile, mocking temperament of a man whose family was blooded by the dogs of Hitler's Europe. To him, a child is too dear a hostage to give to fortune. After 94 elongated minutes, these deep dark secrets are out, and amor vincit omnia...

Author: /time Magazine | Title: Theater: Late Bloomers | 5/14/1979 | See Source »

...Milan's La Scala include associations with Toscanini, Mascagni and Giordano. Gavazzeni led a performance that was full of controlled excitement; at the same time, he was consistently thoughtful of his singers. His support of Veteran Soprano Renata Scot to (Leonora), who sang the precarious D 'amor sull 'ali rosee in Act IV with extreme caution, was a memorable lesson in podium gallantry...

Author: /time Magazine | Title: Music: Heavyweight Opening | 10/25/1976 | See Source »

...cherub, but a hot-blooded youth out to touch, hold, kiss and sleep with any woman who will have him. The result is that Cherubino becomes the mirror reflecting everyone else's sensuality. Other directorial details linger in the memory: the Countess singing of her lost love (Porgi amor), while behind her lies a trampled bed, the obvious result of a night of lonely tossing; the haunting way the light in the palace recedes in different layers of intensity as the day wanes...

Author: /time Magazine | Title: Music: The Opera Week That Was | 9/20/1976 | See Source »

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