Word: amourous
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Dance performances by two groups, the Cambridge Rindge and Latin Haitian Club Dancers and the Harvard-Radcliffe Haitian Alliance Dance Troupe, were also featured. The Club Dancers, who have offered renditions of traditional Haitian folk dance forms since 1993, performed a work entitled "L'amour, c'est liberte," or "Love is freedom...
...here at FM here at FM care, though. Really, we do. We're not just in it for the gratis goodies (though that Brady Bunch Movie promo lunch box sure kicks rerun butt!). In the commingled spirit of freebies, Condom Awareness Week and post-Valentine's Day amour, we have attached a free condom to every FM issue. If it's not there, question your roommates...
...school where jokes of sexual repression run rampant, Freudian slips are welcome and the idea of Kirkland House's Incestfest is looked upon with envy, the next step in the Harvard Board Game d'Amour consists of spurning the idea of companion-ship altogether. Harvard's Anti-Valentine's Day Dances--Friday at Eliot House, Saturday at Leverett--promoted the new-found acceptance of going solo, giving swinging singles not one but two opportunities to flaunt their freedom. Both dances charged $3/person or $7/couple, clearly discouraging the attendance of couples. Both had DJ's with the strict instructions to avoid...
...Show, the latter has a real flair for writing strong, confrontational scenes--brisk, needling, well shaped--and the former stages them with coolly concentrated intensity. And the cast is terrific. Douglas, with Fatal Attraction and Basic Instinct behind him, knows all about playing male victimization without total loss of amour propre. Moore's ferocity is totally unredeemed, therefore totally riveting. Donald Sutherland as their boss is computer-like: he has an almost-human brain and a silicon chip where his heart should be. They and a very good supporting cast often ground Disclosure in some kind of behavioral honesty, almost...
...Show, the latter has a real flair for writing strong, confrontational scenes -- brisk, needling, well shaped -- and the former stages them with coolly concentrated intensity. And the cast is terrific. Douglas, with Fatal Attraction and Basic Instinct behind him, knows all about playing male victimization without total loss of amour propre. Moore's ferocity is totally unredeemed, therefore totally riveting. Donald Sutherland as their boss is computer-like: he has an almost-human brain and a silicon chip where his heart should be. They and a very good supporting cast often ground Disclosure in some kind of behavioral honesty, almost...