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...Surfacing under a miasma of grays and blues, the CB becomes a sinister force in the town. Rain also showers the darkness, but it dirties as much as it cleanses, recalling Alain Resnais's evocation of the contaminated rain after a nuclear explosion in Hiroshima, Mon Amour. During the day, when the CB appropriates a docile mask, bright sunshine dominates the cinematographer's vision. The soundtrack, too, depicts both sides of the community. Basically low-keyed, the music alternates between clean but mournful acoustic guitar melodies and upbeat truck-driving ditties, echoing Demme's preoccupation with CB's comic...

Author: By Hilary B. Klein, | Title: Demon Radio | 3/10/1978 | See Source »

Hiroshima Mon Amour, 6:15, 9:40, and The Assassination of Trotsky, 7:50, ends today...

Author: By Seth Kaplan, | Title: Film | 7/13/1976 | See Source »

Stavisky, 5:50 and 9:35 p.m.; Hiroshima Mon Amour, 8 p.m.; (weekend showings...

Author: NO WRITER ATTRIBUTED | Title: Cambridge | 1/15/1976 | See Source »

Hiroshima Mon Amour. A "you are there" look at August 8, 1945, in Peace Square. Sort of a mixture of War Games and Last Year at Marienbad--a wordless, one-night love affair takes place against the background of documentary footage of Hiroshima. Resnais is not being profound or fascinating in a verbal way, but the film has deep pull, like a strong undertow. It will always be "One million degrees in Peace Square...

Author: By Paul K. Rowe, | Title: THE SCREEN | 1/15/1976 | See Source »

...Electra/Asylum Records has chosen to promote, not these impersonal poems, but the two singles most like Mitchell's previous outpourings of love and love's conflicts. "In France They Kiss On Main Street" is a catchy song which revels in young love--"amour, mama, not some cheap display." The other single, "Don't Interrupt The Sorrow," appeals to animals if not to fight at least to rise; each distinctly narrated verse repeats the melody...

Author: By Tom Blanton, | Title: Moog and Metaphors | 12/18/1975 | See Source »

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