Word: amours
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...Something similar might be said of the more aspiring Private Fears in Public Places, an unlikely adaptation by Alain Resnais, once the master of such high art revels as Last Year at Marienbad and Hiroshima Mon Amour, of a play by Alan Ayckbourn, a farceur who has always loved, sometimes to excess, the intricate braiding of characters and story lines. Everything in this movie seems to have been made on a soundstage and, for reasons best known to the director, his Paris is caught in a perpetual blizzard; it goes on for the several days consumed by the plot...
...central control and no restriction on the creativity and genius that bring new applications online each day. Open standards and collaboration, rather than top-down or centralized governance, have ensured that the Internet's development remains in the hands of those who know most what they need. Lynn St. Amour President and CEO, Internet Society Geneva...
...central control and no restriction on the creativity and genius that bring new applications online each day. Open standards and collaboration, rather than top-down or centralized governance, have ensured that the Internet's development remains in the hands of those who know most what they need. Lynn St. Amour President and ceo, Internet Society Geneva...
...sniper guard for the local nuclear plant. His job is to shoot first. His friends Hotdog and Pepsi, parking-lot attendants, make their living stealing gas from cars. Natasha has slept with two of the three and now runs an international Internet mail-order bride service called Amour Transit, patronized by the fsb (former kgb) and foreign-intelligence services. It's an empty existence of anger and boredom punctuated only by what's on television that night. "Those who created the dumbest of the comic books," says the nameless sniper, "created our present." One day, the friends are watching...
...understand. Though the narrative aspect of the cantata was much improved, the applicability to modern life was still hazy. Its themes of betrayal and sorrow are obviously universal, but the cantata simply lacked the feel of modernity present in the last two cantatas.In the third cantata, “Amour piqué par une abeille,” Venus and her son Love are in a garden. When Love is stung by a bee, he seeks comfort from his mother who reminds him that his own stings of love are much more painful. A lovely story in itself, the performances...