Word: amours
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...French, they run a funny race. Give them somebody else's genre-Hitchcock suspense, slapstick à la Sennett-and they can dominate the field. But ask them to run on their own course-amour, with plenty of gallic-and, pouf!, they fall apart...
...novels and films of Genet which discuss homosexuality create a mystique stressing physical strength and masculinity, ignoring the feminine mannerisms we associate with theatrical homosexual archetype: his lyrical phallic montage, Un Chant D'Amour; is in its own strange fashion one of the most intense statements of masculine potency on film. While Genet assaults his audience with one or another shocking perversion, he is also telling them that abnormality does not, in the last analysis, exist and sexual perversion, regardless of its nature, is as divine a form of love as those more commonly sanctioned...
Holy Hindsight. In her reviews, Miss Kael usually assembles a wealth of detail from past movies. She detected that footage purporting to show atomic-bomb damage in Hiroshima Mon Amour was not authentic, but had been lifted from an earlier Japanese atrocity film. She is equally discerning with movies that are morally pretentious. With "holy hindsight," she wrote, Screenwriter Abby Mann and Producer Stanley Kramer had used Ship of Fools to heap scorn on Germans and Jews who lacked the prescience to see that Nazism was coming. The film, she asserted, implies too facile an equation between shipboard rudeness...
...derision of U.S. movie moguls and their rampant commercialism, Pauline Kael is not an art-house snob. She prefers genuine American kitsch, if it has style and verve, to such avant-garde films as Hiroshima Mon Amour, Red Desert and Last Year at Marienbad ("the snow job in the ice palace"). Among her favorite directors are John Frankenheimer and Orson Welles, who provide "clean, fast pacing without the fancy stuff. It goes better with our national rhythm." A onetime experimental moviemaker in San Francisco, where she grew up and attended the University of California at Berkeley, she finds today...
...best is Job Sanders' Impressions, which uses Paul Klee paintings as "points of departure" for seven vignettes (set to music by American Composer Gunther Schuller) that capture both the painter's economy and his wit. There is sexy balletic humor in a spoof of Arab amour that features sinuous ballerina Willy de la Bije as the most languid odalisque ever to scratch herself where it itches. Most ambitious American entry is Glen Tetley's The Anatomy Lesson, which takes as its starting point Rembrandt's famous painting of the white-ruffed, black-hatted surgeons of Amsterdam...