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There is an absolute taboo against socializing alone with the customer after dark, although the ladies are allowed to go out with a group of clients. Even then, the restrictions are so straitlaced that they stifle hopes for amour - or even for an evening of routine high life. "No nightclubs, no bars, no discothèques," says the Countess de la Rochefoucauld, and the girls, many of them young-marrieds, religiously obey...

Author: /time Magazine | Title: Travel: On Renting a French Aristocrat | 5/19/1967 | See Source »

...GUERRE EST FINIE. Yves Montand's performance as an unrepentant, unforgiving Spanish Civil War veteran is part of the melancholy strength of this Alain Resnais (Hiroshima Mon Amour) study in desperation...

Author: /time Magazine | Title: Time Listings: Mar. 17, 1967 | 3/17/1967 | See Source »

...Michelangelo Antonioni, Alain Resnais, François Truffaut and Jean-Luc Godard could pretty well shoot them as they saw them and let the censor take the hindmost. As a result, they made a number of fine far-out films (The Bicycle Thief, Wild Strawberries, 8½, L'Avventura, Hiroshima, Mon Amour, The 400 Blows, Breathless) that made a startling amount of money...

Author: /time Magazine | Title: Actresses: Birds of a Father | 3/17/1967 | See Source »

...GUERRE EST FINIE. Yves Montana's performance as an uncorrodible Spanish Civil War veteran is part of the melancholy strength of this Alain Resnais (Hiroshima Mon Amour) study in desperation...

Author: /time Magazine | Title: Television: Mar. 10, 1967 | 3/10/1967 | See Source »

...GUERRE EST FINIE. Director Alain Resnais (Hiroshima Mon Amour) explores the mind of an old-guard Spanish Civil War Communist (Yves Montand), and builds a biography that may be overly literary but is never tedious...

Author: /time Magazine | Title: Television, Theater, Records, Cinema: Mar. 3, 1967 | 3/3/1967 | See Source »

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