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...singing, even if you do at some of the French pronunciation in the untranslated opening number--but only one singer stands out. David McIntosh's leering, contorted expressions and jerky, stage presence give no hint of the size, strength and confidence of his baritone voice. His solos, "Mathilde" and "Amsterdam," demand the most stamina and brashness of the Brel songs in this show, and McIntosh has plenty of both. In "Amsterdam," a lurid ballad of drunken sailors, he bellows the lines with as much force and volume as anyone would want in the small confines of the Leverett theater...

Author: By Scott A. Rosenberg, | Title: Black Sweaters, Black Humor | 11/8/1979 | See Source »

Until West Germany gained ascendancy as Western Europe's main heroin market, that dubious distinction belonged to Amsterdam, which had dominated the trade following the breakup of the infamous "French Connection" in 1972. But unlike the highly organized drug networks that have operated in France, The Netherlands and the U.S., the West German drug trade is mainly in the hands of individual entrepreneurs selling the stuff on their own. This makes it all the more difficult to stem the tide. Arrest statistics indicate that a very high proportion of the smugglers are Turkish immigrants, who constitute about...

Author: /time Magazine | Title: WEST GERMANY: Heroin Plague | 9/10/1979 | See Source »

...occasion was the U.S. premiere of Houdini a "circus opera" by Dutch Composer Peter Schat and British Writer Adrian Mitchell. A note in Mitchell's libretto says that the work-originally produced in Amsterdam in 1977-"isn't a documentary but a celebration." What it celebrates is the spirit of human freedom symbolized by Houdini's ingenious escapes from every form of shackle and confinement...

Author: /time Magazine | Title: Music: Houdini: The Riddle Remains | 8/13/1979 | See Source »

...Houdini, Tenor Jerold Norman was re-creating his role in the Amsterdam production, and the experience showed in his secure, if rather monochromatic, performance. Other major roles were ably filled by Rita Shane as Houdini's mother, John Brandstetter as his manager and Viviane Thomas as Bess. Conductor Richard Dufallo, who heads Aspen's annual Conference on Contemporary Music (at which Schat is one of this year's composers-in-residence), had the work firmly in hand. His youthful chorus and orchestra managed most of the score's difficulties, though without making them sound any less...

Author: /time Magazine | Title: Music: Houdini: The Riddle Remains | 8/13/1979 | See Source »

...landing it narrowly missed the control tower. Once on the ground, it was quickly surrounded by soldiers. The mysterious passengers disappeared. After 24 hours of negotiation between the U.S and Tunisian governments, the plane was unloaded, and Marable and his crew were permitted to fly the empty craft to Amsterdam...

Author: /time Magazine | Title: NICARAGUA: Mystery Flight from Beirut | 7/23/1979 | See Source »

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