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Feliks, the son of a poor country priest elects to assassinate Prince Orlov. The "anarchist chappie," as he is called, moves close to his prey by captivating the susceptible Lady Charlotte, the earl's young daughter. Follett makes good use of a taut if predictable double subplot to forward Feliks' machinations and throw Cabinets, kings and boudoirs into turmoil. The denouement, in which all the major characters and half the British constabulary descend on Walden Hall for the signing of the Anglo-Russian pact, is one of Follett's finest, with a staccato performance by the deceptively...

Author: /time Magazine | Title: Books: Top Dog | 5/3/1982 | See Source »

Belushi kept insisting that it was all just an act. "If people want to think that I'm a drug-crazed anarchist and it brings them into the theaters, that's fine," he said in 1980. "Actually, I'm a pretty boring guy most of the time." But it was the anarchist image that made him a movie star with Animal House (1978). The role of Bluto Blutarsky was just a featured part, not much larger than the ones he played in Old Boyfriends and Goin' South. But audiences cheered as Bluto bellowed "Food fight...

Author: /time Magazine | Title: Show Business: End of a Samurai Comic | 3/15/1982 | See Source »

Dusan Makavejev, the film maker who Went Too Far with his anarchist collages W.R.: Mysteries of the Organism and Sweet Movie, has run for cover to Sweden and emerged with this shaggy act of atonement. It is not his fault that he was seven years between pictures, or that his new one seems almost (Gasp!) normal in its story of yet one more mad housewife: Susan Anspach finds fear, loathing, debasement-in short, liberation-when she joins a carnal carnival of Slavic immigrants. Montenegro is a Laurel-and-Hardy jalopy of a film, putting along impudently and then suddenly stalling...

Author: /time Magazine | Title: Cinema: Rushes: Dec. 14, 1981 | 12/14/1981 | See Source »

Radicalism, Durant asserted, is "just the measles of your intellectual growth," and in his early years he had quite a case himself. Said he: "I stood many an evening on a soapbox, preaching 'Socialism, the Hope of the World.' " In 1912, while teaching at the anarchist Ferrer Modern School in New York City, he met dark-eyed Ida Kaufman, a precocious 14-year-old pupil so "sprightly" he called her Puck and later Ariel. She pursued her 27-year-old instructor relentlessly, until he "fell in love with her and kidnaped her and married her." The bride...

Author: /time Magazine | Title: Education: Biographer of Mankind | 11/23/1981 | See Source »

...closeup of an agitated bourgeois mind; fable is superimposed on history. And they all run like hell to the D.W. Griffith finish line. Long shot: Harry Houdini performs thrilling escapes, restaging his own birth trauma for a country just then emerging from isolationism into imperialism. Closeup: Emma Goldman, anarchist spellbinder, woos Evelyn Nesbit out of her petticoats and prejudices. Two-shot: Henry Ford and John Pierpont Morgan discuss reincarnation in the Morgan Library. A few chapters later, Coalhouse Walker Jr., a Negro piano player who dares to chart his own destiny as the two plutocrats did theirs, has seized...

Author: /time Magazine | Title: Cinema: One More Sad Song | 11/23/1981 | See Source »

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