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Another Math Department bystander darted into his office and returned a few seconds later with a large, awkward wooden object which says was a Renaissance-period ancestor of the flute. After demonstrating how to play the instrument, he passed it around among his friends, some of whom acknowledged that they were already familiar with a modern-day woodwind...

Author: By Alison D. Morantz, | Title: Music + Math: A Common Equation? | 11/30/1988 | See Source »

...This committee was the direct ancestor of the MCAD," writes Leon H. Mayhew in his 1968 study of the commission. "Its function was to carry out investigations and to sponsor and assist educational programs designed to combat discrimination...

Author: By Ross G. Forman, | Title: A Case of Too Many Cases? | 9/29/1988 | See Source »

...gloss on the perpetuation of genetic traits, a DNA helix made up of children's soft toys -- bunnies, horsies, teddy bears and heffalumps -- absurdly cast in bronze. Perhaps weirdest of all is Cragg's untitled sculpture of an enormously enlarged Paleozoic conch shell done in iron, the monster ancestor of all wind instruments, reposing on top of iron replicas of cases for a trumpet and a trombone -- eating its children or giving birth to them, whichever you prefer...

Author: /time Magazine | Title: Art: The Venice Biennale Bounces Back | 7/25/1988 | See Source »

...than here. One needs to remember how bare of images medieval life was -- how utterly unlike the image-haze of competing visual messages, from billboards to print ads to TV, in which we live today. A man in Chicago sees more images in a day than his 14th century ancestor in York saw in 20 years. In medieval England the painted or carved image was the blazing exception to nature...

Author: /time Magazine | Title: Art: Blazing Exceptions to Nature | 11/30/1987 | See Source »

...that they mark the end of its tradition with a barrage of fireworks: there is something funereal as well as celebratory about the sight. It seems improbable that anyone (other, perhaps, than Stella) will manage to wring more from the constructivist impulse. If you want to see the common ancestor of these frenetic and space- grabbing objects, it is upstairs at MOMA, a little thing of rusty tin: Picasso's 1912 Guitar. Thinking about Picasso, Stella had come to realize that "it's not the presence of a recognizable figure in Picasso that in itself makes things real...

Author: /time Magazine | Title: Art: The Grand Maximalist | 11/2/1987 | See Source »

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