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Asia's economic strength is not a result of some ancient Chinese secret or a special economic model that Americans must copy to survive. It owes to simple, old-fashioned, free enterprise, the kind Americans love to love. The "democratic capitalism" being questioned in the U.S. is finding new roots in a rising Asia. If Americans want to learn the correct lessons from Asia, they can ironically find them right at home...

Author: /time Magazine | Title: What Asia Can Really Teach America | 2/4/2010 | See Source »

Hamburger sent an impassioned e-mail to department administrators at King’s College London protesting the university’s proposed elimination of their chair of palaeography—the study of ancient writing—as part of a 15 percent budget cut mandated by the British government for all British universities, according to David Ganz, professor of paleography at King’s College...

Author: By James K. Mcauley and Julia L Ryan, CRIMSON STAFF WRITERS | Title: Cuts Threaten Unique Post | 2/4/2010 | See Source »

...somehow, this year’s edition of the annual massacre was even worse than before. Last year’s margin of defeat was a mere 21. This time around? Cornell devoured its Ancient Eight rival, 86-50 (for all the Big Red readers out there, that comes out to a margin...

Author: By Dennis J. Zheng, CRIMSON STAFF WRITER | Title: Big Red Contains Crimson | 2/4/2010 | See Source »

...closest rival Lost has in Iran is Prison Break, a TV series that had only a moderate following in the U.S. Before that, there was Jewel in the Castle, a melodrama from South Korea about a young girl working as an indentured cook in the royal kitchen of an ancient monarch who manages to free herself after a lifetime of struggle. But Lost and its mysteries appeal even more strongly to Iranians. "In Iran, people are drawn to stories that are unpredictable," observes Masoud. Sometimes to excess: it is not unheard of for Iranian fans to go on Lost benders...

Author: /time Magazine | Title: Iran's Secret Obsession: Getting Lost in Tehran | 2/4/2010 | See Source »

...reader (Scott Shepherd), who transforms from an everyman office drone into “Gatsby” narrator Nick Carraway, casually begins reading the book on the pretext of waiting for his ancient, uncooperative computer to start up. Despite receiving odd looks from fellow employees, he continues reciting the text aloud. Soon, the play subtly shifts, and each one of the nobody office workers is cast in a role, drafted into the reader’s imaginary Fitzgeraldian world, where the romance, humor, and brutality of “Gatsby” are all poignantly real...

Author: By Ali R. Leskowitz and Denise J. Xu, CRIMSON STAFF WRITERS | Title: A.R.T.'s 'Gatz' Takes Classic Tale to Stage in Novel Adaptation | 2/2/2010 | See Source »

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