Word: ancients
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Dates: during 1960-1969
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...state and federal law. The states, shamed and intimidated by the federal fiat, had little choice but to ignore any of their own laws that differed from it. In the same area, the Supreme Court's one-man-one-vote decision freed state legislatures from the hard and ancient grip of rural domination. But for all that, in a nation that embraces a bewildering diversity of sects and sections, there are a great many national problems that do not lend themselves to a single, unbending national solution...
Bangkok bustles with evidences of the pursuit of sanouk, or pleasure, the mainspring of Thai life. Busy asphalt boulevards are supplanting the ancient, lettuce-clogged klongs-the canals where Thais still fish, drink, bathe and eat the lettuce. Venerable Siamese villas with cupolas like bowler hats squat cheek by jowl with neon-lit bars, cinemas and boxing pits. The jet age has made Bangkok the air hub of southern Asia, the halfway house for round-the-world trippers from the U.S. It is also rest and recreation for a carefully regulated 500 G.I.s at a time, on leave from Viet...
...Kittikachorn, Bhumibol is more than ever the throne behind the power. He and Sirikit, working as a ceremonial team with all the pageantry that Thais love, take every opportunity to identify themselves with Thailand and its progress. Whether it be the dedication of a new dam or highway, the ancient ceremony of the first spring plowing, or the certification of a newly found royal white elephant (an auspicious omen in Thai mythology), Bhumibol uses each event to emphasize the rich heritage and unity of his nation. (One discontinued tradition: feeding white elephants from the bare breasts of young women.) Nearly...
...figures wear an antique patina. His bronzes are left pitted by their plaster casts or are particolored from carefully ladled-on corrosive dyes; his wooden statuary is daubed with earthy tints, oil paints clinging to the surfaces as in flaking frescoes. Even his lush-thighed Pomonas, named for the ancient Italian goddess of fruit trees, seem like the petrified victims of the last days of Pompeii. But as currently displayed in Rome's 500-year-old Palazzo Venezia, at one time the residence of the ambassador of the proud Venetian Republic, the hefty nudes look like steaming courtesans...
...when it languished after the Rodinesque impressionism of Medardo Rosso and the kineticism of the futurists. Marini loathed the machine at first. He took his subject from the horse and rider, an image common in the Italian cityscape, with Donatello's Gattamelata, Verrocchio's Colleoni and the ancient Roman statue of Marcus Aurelius placed on the Capitoline Hill by Michelangelo. Traditionally, the man on horseback is a symbol of authority, of exultant control, of human power over nature. Marini turned the image from initial triumph to ultimate tragedy...