Word: andalou
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...Several of today's most prominent filmmakers betray the influence of Buñuel. David Lynch's radically bizarre first feature, "Eraserhead," couldn't have existed without the example of Buñuel's rulebreaking Surrealist masterwork "Un Chien Andalou" (1929), directed with Salvador Dali. Pedro Almodovar's deliciously ripe melodramas contain numerous elements first found in Buñuel's Mexican work from the 1950s; in fact, key sequences from Buñuel's giddily psychotic "The Criminal Life of Archibaldo de la Cruz" (1955) are incorporated into Almodovar's "Live Flesh" (1997). And former Monty Python member Terry...
...longer always seems right." Cinema "encourages us to think in a dreamlike way...[it] slowly but surely filters the most basic of doubts throughout society: that of questioning the value of absolutes." Dali collaborated with Bunuel on two of the underground classics of 20th century film, Un Chien Andalou (An Andalusian Dog) and L'Age d'Or (The Golden Age); he was closer to cinema than any other painter of his day, partly because he was obsessed by the power of cinema to make dreams immediate...
Beauty and the Beast with Un Chien Andalou--Friday, April 3 and Saturday, April 4, 3:30, 5:30, 7:40, and 9:50 p.m. Saturday matinee...
...AUTOBIOGRAPHY My Last Sigh, Luis Bunuel, the father of the surrealist cinema, remarks that the one unifying principle of his first film, "Un Chien D'andalou," was that "no idea or image that might lend itself to a rational explanation of any kind would be accepted." In telling his life story, Bunuel likewise rejects interpretation. His memoirs are a rambling collection of disparate reveries, images, jokes, each of them entirely absorbing. Bunuel does not draw upon these to form conclusions of any sort, to make aesthetic judgements or to evaluate the importance of various events in the development...
...after the opening of his first film, "Un Chien D'andalou," written in conjunction with Salvador Dali, that Bunuel was admitted to the Surrealist group. During the opening, Bunuel hid behind the screens, his pockets full of stones "to throw at the audience in case of disaster...