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With the second movement of the Schubert came an increase in Gatti's emotional intensity, though physical dramatics for the most part remained conspicuously absent. At times one could see the conductor shaking his head from side to side--sometimes mouthing words to the first violins, sometimes gazing out above...

Author: By Andrea H. Kurtz, CONTRIBUTING WRITER | Title: Devil Inside Mr. Gatti: How to Make an Audience Faint | 10/31/1997 | See Source »

The Andante is near perfectly-paced, with none of the Bernsteinian leanings that plague most recordings of the Fifth, while the subsequent Allegro provides an appropriately misterioso segue into the finale. Here, as Beethoven intended, the brass are brought out in full force, and regardless of pedantic issues of whether...

Author: By Dan Altman and Brian D. Koh, S | Title: War Horse Beaten Back to Life on DG | 10/5/1995 | See Source »

The immediacy of Ax's playing extended into the stirring second movement, an Andante in contrast to traditional symphonic and concerto structures. Here Previn could have added some bite to the strings' releases in keeping with Ax's sharp interpretation. Hopeless romantics might have demanded more time in the springlike...

Author: By Daniel Altman, | Title: Previn and Ax Merge Insight, Resolve | 8/15/1995 | See Source »

The entire Quartet showed a sort of 'updated Romantic' sense of time: not too obvious, but always just enough to suggest captivating emotions. Kim and Hwang's deep sounds--the violist's from a gigantic instrument--provided most of the warmth of the opening Andante espressivo-Allegro molto moderato.

Author: By Daniel Altman, | Title: Dynamic Barromeo is Museum Treasure | 3/16/1995 | See Source »

"Andante Con Moto" (1992) began the evening. It is a series of 14 variations on the slow movement of Beethoven's "Appassionata" sonata, with an optional opportunity for an improvised cadenza before the final variation. The theme itself is not stated anywhere in the piece, and one catches only a...

Author: By Carl J. Voss, | Title: Composer Rzewski Performs Three Personal, Searching Pieces | 2/11/1993 | See Source »

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