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Word: anderman (lookup in dictionary) (lookup stats)
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...young couple, Nick (Richard Kelton) and Honey (Maureen Anderman), who join them for a savage 2 a.m.-to-5 a.m. session of show-and-tell are simply deployed by George and Martha as fodder for their internecine warfare. The words are tracer bullets and the drinks are hemlock, but the blood lust has an almost tonic ebullience...

Author: /time Magazine | Title: The Theater: Till Death Do Us Part | 4/12/1976 | See Source »

...Ph.D." As "the bog in the history department," Gazzara's professorial George is detached but not desiccated. His wry grin portends revenge. He is a much trodden worm with a cobra's fangs. The less thankful roles of the subsidiary couple are less thankfully played. The giggly Anderman seems to have inhaled laughing gas rather than downed tumblers of brandy, and Kelton's Nick is docile enough to have made Martha's bed but never Martha...

Author: /time Magazine | Title: The Theater: Till Death Do Us Part | 4/12/1976 | See Source »

...barrages of verbal fire into vulnerable areas. Their conspiratorial magic transforms metaphysical ping-pong into a cooing and spitting that is pleasing to watch. Richard Kelton as Nick embodies the American Dream to a tee and he plays it with telling emphasis on the ruthlessness of youthful ambition. Maureen Anderman handles what is probably the most difficult role in the play without succumbing to the temptation of making Honey a one-dimensional hysteric...

Author: By Tom Wright, | Title: Albee's Not | 3/18/1976 | See Source »

...machinations hasten the entrance of Major Barbara. The comforting commander, made even more soothing by Ellen Anderman's empathetic performance, douses the raging Beckhard. But the arrival of the play's two strongest characters-Cousins, Barbara's boyfriend, and Undershaft, her father-threatens, and eventually undermines Anderson's moderating role...

Author: By James Cramer, | Title: Bringing in the Sheaves | 5/10/1974 | See Source »

...Undershaft's demonical doctrines as he confronts him. Once Majors conquers his inappropriate Trotsky-like appearance and stops pounding his irritating drum, there ensues a battle which erases any doubt that Undershaft might not be "an infernal old rascal." As the single act draws to a close and Ellen Anderman unconvincingly projects Major Barbara's breakdown, the lingering image of the triumphant Undershaft provides a good conclusion for a play left...

Author: By James Cramer, | Title: Bringing in the Sheaves | 5/10/1974 | See Source »

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