Word: anderson
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...progress we made in reducing breast-cancer mortality over the past decade or so because now the breast cancers are going to be larger when we find them, and more likely to be at a more advanced stage," says Dr. Therese Bevers, professor of clinical cancer prevention at M.D. Anderson Cancer Center in Houston. She adds, "Even including the risk or harms of screening, we still believe strongly that the benefits outweigh the risks when it comes to mammography...
...Dahl's Mr. Fox is cocky and clever, although maybe not as clever as he makes himself out to be. Anderson's Mr. Fox is the same, but more so. He's like a mid-career tribute to Clooney: bold, charming but naughty, dependent on his smile, but well aware of that. And because of his urges - "I'm a wild animal," he reminds Mrs. Fox - he's not altogether trustworthy, which seems like a nod to a reputation that Clooney happily feeds every time he parades a fresh piece of arm candy about the red carpet. Seven-year-olds...
...only one kit, Ash (Jason Schwartzman), who is petulant, undersized, uncoordinated and insecure. "You're supposed to be my lab partner," he says to a comely young fox named Agnes, who is distracted in their biology class by the Foxes' glamorous houseguest, Ash's cousin Kristofferson (voiced by Anderson's brother Eric). "I am," Agnes protests. "No you're not," he scolds. "You're disloyal." It's a hilarious moment, but perhaps only if you're familiar with the crew of other insecure brats Schwartzman has played for Anderson...
...when confused, his eyes transform into dazed little bull's eyes. A beagle with a case of "chronic rabies" is used to great effect, and Boggis (Robin Hurlstone), Bunce (Hugo Guinness) and Bean (Michael Gambon) are brilliantly realized. Stop-motion is clearly a laborious business, but what shows in Anderson's film is not the work, but the joy derived from a craft used to maximum effect. If Fox Searchlight wanted to double its box office, they need only set up a booth selling models of Anderson's Fox family right outside the door of the theaters; they...
...second half suffers from a plethora of increasingly distracting elements. Chief among these is its score, which alternates between vaguely eerie and uncomfortably alarming. A host of strange, unnatural sounds accompany moments of onscreen tension, at times recalling the abrasive and bizarre soundtrack of a Paul Thomas Anderson movie but without Anderson’s artistic discretion. The film’s surprising turn toward a dark and haunting ending, as typified by a grotesque and unexpected murder scene, also proves jarring and unnecessary. If this film were an artistic hopeful, it would probably do well to accept its limited...