Word: anderson
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Like determined ornithologists hunched in the bushes waiting for that extremely rare bird, comix fans have long been scanning the horizon for the arrival of the second volume of "King," (Fantagraphics Books; 72pp.; $11.95) Ho Che Anderson's three-part "interpretive biography" of Dr. Martin Luther King. Now, ten years after volume one we have the penultimate chapter. (Anderson intends to release part three next year.) Historical biography with African-American characters, created by an African-Canadian artist who has kept us waiting a decade for its continuation: if comic prices are truly based on scarcity each copy of this...
Part two puts you right in the middle of all the most important civil rights actions from 1960 to 1965, culminating in the March on Washington. Anderson deftly moves from the terrifying street-level violence, such as the brutal Birmingham marches, into the backrooms where squabbling amongst competing organizations continually challenged the success of all their efforts. Several fascinating sequences imagine, with reasonable guesswork, the private conversations between JFK and MLK. Where more scholarly biographies could give us little of such moments, Anderson's novelistic approach allows us to feel the chemistry between these two indomitable, yet morally nuanced, characters...
...course what really separates "King" from other biographies is that Anderson literally drew it out. For the most part the book has been rendered in very high-contrast black and white - a fascinating choice given the subject. When not cast in nearly complete shadow, characters look as though brightly lit from one direction, horror-movie style. Features get flattened, and more importantly, skin tone vanishes. For better or worse this makes it difficult to distinguish between characters, black or white. Arguably this lack of shading also counters the book's themes of moral shading. But then, just discussing the graphics...
...Have a Dream" speech, from Ho Che Anderson's "King" volume...
When the word "cinematic" gets applied to comix it usually comes from lazy, patronizing critics caught off guard by the medium's full artistry. But for "King," "cinematic" accurately describes the post-modern, documentary-style construction. For example, Anderson inserts anonymous witnesses who talk directly to the audience, filling in details or offering counter-histories. He also lays in archival photos or documents and draws around them. This approach reaches a climax at the end of "King" II, with a remarkable seven-page montage dedicated to the "I Have a Dream" speech. Photos of the crowd on the Mall, smeared...