Word: andersson
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Dates: during 1970-1979
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Celebrating at a dinner party with another ideal couple, their friends Katerina (Bibi Andersson) and Peter (Jan Malmsjo), Johan and Marianne have to face something rather unlovely. Beginning with taunting asides and barbed revelations (sexual and otherwise), Katerina and Peter erupt into one of those verbal cockfights designed to draw the other spouse's blood in front of mixed company. Johan and Marianne are embarrassed to silence, but what has really been stilled and wounded is their purring complacency in their own bliss...
Persona and Pierrot Le Fou are being cofeatured at the Brattle starting tomorrow; both are wonderful, though sometimes brutal, works, highly recommended for the artsy crowd. Persona, directed by Ingmar Bergman and staring Liv Ullmann and Bibi Andersson, is a complex psychological drama that's somewhat of a modern classic. Pierrot Le Fou, directed by Godard and starring Belmondo, is another heady film about psychic anguish, and as always, Belmondo is a joy to watch...
...recent evening in the splendidly gilded 19th century Mabel Tainter Opera House in Menomenie, Wis., the sound system was awry and the stage a bit small, but the cast of eight gave a spirited performance all the same-of the mythic Andersson family emigrating from Sweden, its terrors of the new country, its settling, its dances, a child's death, the plague of locusts that wiped out the farm and drove the family into rural show business. Terry Hinz is perfect as the boyish paterfamilias, but one remembers especially the dazed, inward quality of Mary Wright as Mrs. Andersson...
Cries and Whispers. Bergman's latest, filmed with a crimson colored Gothic expressionism reminiscent of Edvard Munch. Set in a turn of the century manor house, two sisters (Liv Ullmann and Ingrid Thulin) along with a peasant servant (Kari Sylwun) attend their dying sister (Harriet Andersson). Bergman uses the women schematically -- the Woman as Other -- to play out his 'nothingness' theme: the ultimate isolation of every human being, the tissue of lies that passes for communication between men, the meaningless of extra-human faith, the nothingness at the heart of it. Central...
Cries and Whispers. Bergman's latest, filmed with a crimson colored Gothic expressionism reminiscent of Edvard Munch. Set in a turn of the century manor house, two sisters (Liv Ullmann and Ingrid Thulin) along with a peasant servant (Kari Sylwun) attend their dying sister (Harriet Andersson). Bergman uses the women schematically--the Woman as Other--to play out his 'nothingness' theme: the ultimate isolation of every human being, the tissue of lies that passes for communication between men, the meaningless of extra-human faith, the nothingness at the heart of it. Harvard Square...