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Word: andersson (lookup in dictionary) (lookup stats)
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...Every 20 years or so, I get missionary about a Broadway show - to be exact, about the music I love in a certain Broadway show. In the 80s the show was Chess, with book and lyrics by Tim Rice and music by Benny Andersson and Bjorn Ulvaeus, late of the Swedish pop group ABBA. For me, Chess was by far the finest score of the decade, rich and varied and powerful, and thrillingly melodic. It put tunes in my head that still sit up and sing there. In TIME, I wrote about Chess when it was still an album...

Author: /time Magazine | Title: That Old Feeling: Isn't It Rahmantic? | 1/1/2005 | See Source »

FILM | Roy Andersson...

Author: NO WRITER ATTRIBUTED | Title: NO HEADLINE | 10/15/2004 | See Source »

Renowned primarily for his ingenious television commercials, Swedish director Roy Andersson, former student of Ingmar Bergman, has also produced celebrated films. The most recent of these, Songs from the Second Floor, won the Prix du Jury of the 2000 Cannes Film Festival. Described as “a searing meditation on millennial decadence” by the Harvard Film Archive, the film is composed of 45 surreal, darkly comedic vignettes that highlight the absurdity of human existence against a dreary European backdrop. As for Andersson’s other films, catch A Swedish Love Story on Wednesday, October...

Author: NO WRITER ATTRIBUTED | Title: NO HEADLINE | 10/15/2004 | See Source »

Incarnating amiability with an undercoat of evil can be a benison to an actor. Unfortunately for them, Dogville's old pros (including Lauren Bacall, Ben Gazzara, Harriet Andersson, John Hurt, Stellan Skarsgaard, Patricia Clarkson and Blair Brown) have only attitudes, not characters, to play, and these are as flat as the lines on the floor. It's not a pretty sight: gifted actors with big ambitions and nothing purposeful to do. Only two things keep one's eyes on the screen: the spectacle of the gorgeous Kidman soldiering on as Grace's regality is defiled, and the suspicion that this...

Author: /time Magazine | Title: Movies: Empty Set, Plot to Match | 4/12/2004 | See Source »

...night, stage actress Elisabeth Volger (Liv Ullmann) suddenly stops in the middle of her performance and ceases entirely to speak thereafter. She is sent away to a country cottage, where she is tended to by a garrulous nurse named Alma (Bibi Andersson). Alma quickly develops a monologue with her mute patient and slowly the two women seem to fuse into a single, indistinguishable entity. But a plot summary hardly does justice to Persona, director Ingmar Bergman’s masterwork and one of the most important films of 1960s cinema. Bergman explores the nature of communication, while tangling with threads...

Author: By The Crimson Staff, THE CRIMSON STAFF | Title: Happenings | 3/12/2004 | See Source »

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