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Word: anding (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

If the echoes sometimes blend into a solid chorus, credit must be divided between Director Gene Kelly and his choreographer, Michael Kidd. Ernest Lehman's script is based on the Broadway musical (which was based on Thornton Wilder's farce The Matchmaker). It is woven from a solitary...

Author: /time Magazine | Title: Cinema: Echolalia | 12/26/1969 | See Source »

Hello, Dolly! could have used those personalities on screen. Instead, it relies almost exclusively on the celebrated eyes, ears, nose and throat of Streisand. Her musicianship remains irreproachable. But her mannerisms are so arch and calculated that one half expects to find a key implanted in her back. Still, the...

Author: /time Magazine | Title: Cinema: Echolalia | 12/26/1969 | See Source »

As young Ben, Beau Bridges (son of Actor Lloyd Bridges) plays the hero with the numbstruck charm of a tarnished cherub. Ben believes totally in America's favorite myth: the up-from-nothing success story. So believing, he becomes living proof of that other American truism: there's...

Author: /time Magazine | Title: Cinema: Tarnished Cherub | 12/26/1969 | See Source »

In Jewison's The Russians Are Coming, Keith began a new career as a deadpan comedian. Now, teamed with Bridges, he gives the liveliest performance of his career as an agnostic Catholic and whoremaster-repentant whose right hand has not consulted his left for 40 years. The pro and...

Author: /time Magazine | Title: Cinema: Tarnished Cherub | 12/26/1969 | See Source »

Like Ben, Abram S. Ginnes' manic screenplay brims with hellishly good intentions that never quite come off. Jewison has thus been forced to pare his film drastically. Plot and continuity skip along in a flurry of quick cuts and undeveloped skits. Perhaps it is just as well. Hecht was...

Author: /time Magazine | Title: Cinema: Tarnished Cherub | 12/26/1969 | See Source »

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