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...ANDRÉ MINAUX, 31, whose work represents one significant trend in French painting: the return to realism and 19th century masters like Courbet and Delacroix. The lessons of cubism and fauve color, thinks Minaux, have by now become the unconscious inheritance automatically guiding and correcting the artist's eye and intelligence, thus leaving painters free to turn to traditional subjects, such as Minaux's French peasants harvesting...

Author: /time Magazine | Title: Art: After the Sunburst | 3/21/1955 | See Source »

...long for staging, he became a popular as well as a critical success in later years with the postwar productions of his operas, Christophe Colomb (music by Darius Milhaud) and Joan at the Stake (music by Arthur Honegger). Claudel insisted, in his 27-year correspondence with his friend, Novelist André Gide (The Correspondence Between Paul Claudel and Andre Gide) that art must bear witness to Christ, assailed modern literary introspectionists as "horrible little terriers who put their paws on one and make one feel the convulsive shivering which animates their wretched bodies...

Author: /time Magazine | Title: Milestones, Mar. 7, 1955 | 3/7/1955 | See Source »

...Andrés Segovia, 62, the great Spanish guitarist, this week gives a recital in Town Hall...

Author: /time Magazine | Title: Music: Going Like 60 | 2/28/1955 | See Source »

French Author-Critic André Malraux believes that the camera and modern reproduction techniques have revolutionized the art world by bringing art out of the museum. He calls this phenomenon the "Museum Without Walls." Something like it is happening with music: the U.S. musical revolution is taking place in the Concert Hall Without Walls...

Author: /time Magazine | Title: Music: Hi-Fi Takes Over | 2/28/1955 | See Source »

Died. Pierre-André Lefaucheux, 56, president of France's government-owned...

Author: /time Magazine | Title: Milestones, Feb. 21, 1955 | 2/21/1955 | See Source »

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