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...choice of Herriot's successor quickly narrowed down to right-of-center Pierre Pflimlin and a 69-year-old Socialist lawyer named André Le Troquer, the Assembly's vice president for the past six years. In the predominantly rightist Assembly, Pflimlin was the favorite. But after three ballots, Le Troquer, one-armed veteran of World War I and a man of the Resistance in World War II, won by a vote...

Author: /time Magazine | Title: Foreign News: Embarrassing Embrace | 1/25/1954 | See Source »

...TATTOOED SAILOR (115 pp.)-André François-Knopf...

Author: /time Magazine | Title: Books: French Without Tears | 12/14/1953 | See Source »

...Tattooed Sailor, on the other hand, is vintage humor. It is a hilarious one-man cartoon show by Rumanian-born André François who sounds an unmistakably original note in the cacophony of cartoon comedy. Cartoonist François humor is pointed, whimsical, completely loufoque and never unkind. His sailor hero has been tattooed into a state of ineffable euphoria, making him inseparable from his lovely Lilly and probably inadmissible to the U.S., but only on moral grounds...

Author: /time Magazine | Title: Books: French Without Tears | 12/14/1953 | See Source »

...Strip. In the contemporary section of the 1953 Salon, the standouts were a brilliant tapestry design done by Jean Picart le Doux and an expertly drawn Quartet of musicians by Hilaire Camille. There was also some plain trash. The trashiest: two heavyhanded pieces of political propaganda by Communist Painter André Fougeron. One, called Atlantic Civilization, had all the artistic merit of a low-class comic strip; it showed a soldier shooting from a brassy U.S. automobile while a bloated capitalist looked on gloatingly and the proletariat wept over their coffins. Le Figaro called Fougeron's work an "imbecility...

Author: /time Magazine | Title: Art: Birthday in Autumn | 11/30/1953 | See Source »

...most talked-of art critic alive today is France's frail, adventurous André Malraux. When his three-volume Psychology of Art was published in the U.S. in 1949-51, it was welcomed with raves-and a good deal of honest bewilderment. Wrote Critic Edmund Wilson: "It is hard to judge very brilliant books, which may dazzle, deafen and stun when they explode under our noses, but [this is] perhaps one of the really great books of our time." Malraux himself was not so pleased with the book; it suffered from poor organization and a turbulent, over-intricate style...

Author: /time Magazine | Title: Art: Telling Voice | 11/23/1953 | See Source »

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