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Though Deauville has been socially registered since Emperor Napoleon III learned the breast stroke there in mid-eigteenth century, it has remained France's most fashionable resort as a result of diligent handling by 42-year-old François André, France's biggest hotel operator. In addition to owning Deauville lock, stock and wine barrel, André owns the casinos, two hotels at Cannes and two hotels at La Baule as well as the biggest hotel at Le Touquet...
...Cold Care. Bourboule businessmen promptly hired Gentleman Jockey André Bruneau. Loaded with Bourboule cash and blessed with a sharp eye for not-too-sick selling platers, Bruneau bought a four-year-old bay named Pyrame, a short-winded chronic wheezer with an unimpressive record on the track. A special stall was built half a mile from La Bourboule's best spring, outfitted with hot and cold running water plus steam pipes, and Pyrame began the cure...
...discussed work. It is so securely played and sung, and so delicately balanced that the music emerges rich and even moving. Stravinsky is also represented by another fine performance, his 1914 opera Le Rossignol with Janine Micheau, and Jean Giraudeau, and forces of Radiodiffusion Française conducted by André Cluytens (Angel). The opening act, written before Stravinsky had emerged from the influence of Debussy, is ecstatic; Soprano Micheau's singing is always that...
...more eligible candidates than the nation's lycées could possibly handle, French educational authorities decided to slash the number by giving the toughest entrance examinations in history. They succeeded only too well. This month 200,000 eleven-year-olds were forced to answer questions on André Gide, to analyze passages from Gabriel Hanotaux, and to solve problems such as: "A group of passengers contributed 850 francs each to rent a bus. Six withdrew, so the price was raised by 210 francs each. How many people finally formed the group?"* The result of the exam...
...talked of the "disgusting filth" emanating from American culture and spoke of "trite films . . . reactionary waste paper such as TIME" and American swing, a "contemporary version of St. Vitus' dance ..." Said he, speaking of the work of Writers John Dos Passos, T. S. Eliot, Eugene O'Neill, André Malraux, Jean Paul Sartre: "If hyenas could type and jackals could use fountain pens, they would produce such works." Next year, attending a Communist-front cultural conference in Manhattan, he was startled to find himself questioned about Soviet writers. Said he: "They all exist; they are in this world...