Search Details

Word: andre (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...Asia lacks. The Asian paradox is haunting: on the one hand the brooding, jewel-eyed idols from which flows a spirit of contemplation and moral nobility, and on the other hand swirling violence and blind prejudice. These are some of the passions that years ago were described by André Malraux as "troubled shapes which in the evening swarm up from the rice fields and hide behind the roofs of the pagodas...

Author: /time Magazine | Title: Essay: DISCRIMINATION & DISCORD IN ASIA | 4/9/1965 | See Source »

...This is his sixth cover for TIME. The others: André Malraux, Sigmund Freud, Alec Guinness, Adlai Stevenson and Lenin...

Author: /time Magazine | Title: A Letter From The Publisher: Mar. 19, 1965 | 3/19/1965 | See Source »

...years ago even the largest of Hundertwasser's works could be bought for $10 apiece (Peggy Guggenheim paid $50 for hers). Today Hundertwasser has become Austria's hottest painter, selling his works to the Rothschilds, French Premier Pompidou and André Malraux at prices from $2,000 to $17,000. Currently, to Hundertwasser's delight, Vienna's Museum of the 20th Century is showing 120 of his works...

Author: /time Magazine | Title: Painting: The Whirlpool of The Waters | 3/5/1965 | See Source »

Jazz is a language, and a number of Broadway and Hollywood scores have recently been translated into it, or at least rephrased with a jazz accent. The results, while not always pleasing the jazz clique, have made a running start toward the pop charts, where André Previn's My Fair Lady and Louis Armstrong's Hello, Dolly! led the way. Some new pop-jazz releases...

Author: /time Magazine | Title: Television: Feb. 19, 1965 | 2/19/1965 | See Source »

...Designer André Courrèges, by contrast, showed a collection that was more like a countdown, with models' hair cropped to the cranium, their faces often masked behind huge white plastic goggles, and a display of far-out fashions that swung down the runways to the way-in beat of progressive jazz. As befits the designer who is known as the idea man of the Paris collections, Courrèges came through with eye-poppers aplenty-flesh-colored leotards beneath embroidered net slacks, ten-gallon hats, skirts cut three inches above the knee-gimmicky, but none of them...

Author: /time Magazine | Title: Fashion: The Inter-Aeon Game | 2/12/1965 | See Source »

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