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Meanwhile, Maazel last week was named music consultant to the Pittsburgh Symphony. But wait. Hasn't André Previn been music director there for the past eight years? Yes, but three weeks ago, Previn, 55, accepted an offer from the Los Angeles Philharmonic to succeed Carlo Maria Giulini as its music director beginning in January 1986. Previn's departure from Pittsburgh was sealed when he lost an ugly power struggle with Managing Director Marshall Turkin over the orchestra's artistic direction, a rupture that Previn declines to confirm. "To lose a job is one thing...

Author: /time Magazine | Title: Music: Round and Round They Go | 5/28/1984 | See Source »

Husband-and-Wife Authors Peter Ward and Rae André give employees advice on how to advance by skillfully managing their bosses. Workers, for example, should not settle for the brief, face-to-face praisings that one-minute managers dish out. They should ask for the praise in writing, and then use it to help land promotions or higher...

Author: /time Magazine | Title: Book Audits: Mar. 12, 1984 | 3/12/1984 | See Source »

...marked his emergence. Miró did not need groups. He became a surrealist because surrealism needed him; it had plenty of poets but no great formal artist (as distinct from vivid dream illustrators like Dali or Magritte). Even allowing for the recent rise in the critical fortunes of André Masson, the painter who introduced Miró to the surrealist group, it still seems clear that, as a draftsman and colorist, as an inventor of epigrammatic shapes set in exquisitely pure pictorial fields, Miró had no rival within that movement...

Author: /time Magazine | Title: Art: The Last of the Forefathers | 1/9/1984 | See Source »

...slough like a molting snake, emerged gleaming, devilish, unrecognizable." The creature that resulted from this metamorphosis was soon to make himself at home in the bed of another of Colette's celebrated characters, Léa, the retired courtesan. Upon reading the final version of Chéri, André Gide wrote the author that he had devoured her short novel "in a single gulp." His verdict: "From beginning to end, not a weakness, not a redundancy, not a commonplace...

Author: /time Magazine | Title: Books: Cornucopia | 1/9/1984 | See Source »

...Picasso keeps reappearing, usually in witty design quotations. So do plaids; in 1979, Saint Laurent's heart went deep into the Scottish Highlands, and he made a formidable, fanciful rig. Except for his Mondrian motif, Saint Laurent was not comfortable with minis; the late '60s belonged to André Courrèges. In fact, despite the influence of specific designs, Saint Laurent has not always led a crowd. He raised skirts in 1959, five years too soon. He lowered them in 1964, when the mini had several years to go. For that matter, he raised hemlines again only...

Author: /time Magazine | Title: Living: Toasting Saint Laurent | 12/12/1983 | See Source »

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