Word: andreae
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Mark's launch is just the latest stroke in Avon's corporate makeover. Under the leadership of CEO Andrea Jung, who took over in 1999, the once dated Avon is "now an accepted fashion brand," says Steele. Among Jung's moves: introducing dozens of new products, including an antiaging skin-care line; starting an e-commerce website; and aggressively expanding overseas, especially in such emerging markets as Eastern Europe and Latin America. "A mother has to be healthy to birth a child," Jung says. "Our parent company has never been in better shape...
...embroidery worked marvelously for the set, and the emirs and cadis looked so great in their paisley-printed caftans that I was inclined to wonder whether these garments wouldn’t have made a nice addition to my personal wardrobe once the run was over. Kudos to costumers Andrea R. Bomar ’05 and Susan K. Davidson...
First, though, the cast and crew: the best performance in the three-person cast was given by Andrea D. Leahy ’05 as Irene, an aging mother. Irene is on rough terms with her daughter, has recently been abandoned by her husband, and is about to lose her house to the floodwaters of an overflowing river. Leahy gave a kind of grandeur to Irene’s dignified refusal to submit to adversity...
...that it does its work by artificially manipulating the very chemicals responsible for feeling and thought. Adderall is the perfect answer for adhd, provided you overlook the fact that it's a stimulant like Dexedrine. Oh, yes, you also have to overlook the fact that the Adderall has left Andrea with such side effects as weight loss and sleeplessness, and both drugs are being poured into a young brain that has years to go before it's finally fully formed. Still, says Andrea, "I'm just glad there were things that could be done...
...DIED. FRANCO CORELLI, 82, handsome tenor considered to be one of Italy's best opera singers; in Milan. After making his debut in 1951 at the age of 30, Corelli became known for roles in Verdi's Aida and Don Carlo, Giordano's Andrea Chenier and Puccini's Turandot. His muscular build and booming voice made him an ideal romantic lead opposite sopranos such as Maria Callas. Corelli liked to hold key notes for as long as possible. Swedish soprano Birgit Nilsson claimed Corelli bit her on the neck during a 1961 Boston performance of Turandot because she outlasted...