Word: andreas
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Dates: during 1940-1949
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Meantime, olive-skinned Andrea Perez, 23, and tar-skinned Sylvester Davis Jr., 27, who are members of the same Catholic parish, now could (under court order) get the marriage license which had been denied them in Los Angeles more than 14 months...
...Opera Seria (in which, incidentally, the English translation went much better than it did in their recent Opera Buffa success, "Figaro") they might try next "La Clemenza di Tito," another Mozart work in the form and the last opera he wrote. Perhaps they might experiment with Berlioz, Giordano's "Andrea Chenier," or something very recent. If they go about their work as thoroughly and sincerely as they did for "Idomeneo," they can't miss with whatever they choose...
...thick-duels, tortures, trials, Valerie rising naked from her bath, and plenty of antique dressmaking chatter. As lavish with his color, Author Shellabarger is much the subtler hand with characters and story-though in this field "subtle" is strictly a comparative term. Prince of Foxes begins in Venice, with Andrea Orsini bowing low before the lovely Camilla degli Baglioni. Foxy Andrea can tell that Camilla is una illustrissima, but how is Camilla to know that Andrea, for all his fine clothes, is the son of a blacksmith? Prince of Foxes is laid in the same era as Somerset Maugham...
...Hecht screenplay is Adolph Menjou playing a Hollywood producer whose movies nosedive until he meets a wholesome miss (Andrea Leeds) with the proper pedestrian slant concerning what the public wants. She becomes his private consultant--"Miss Humanity"--on the plain citizen's tastes in story twists. Instructions explicitly forbid her mingling in film colony circles where she might "go Hollywood;" one night she dares venture into a hamburger wagon where Kenny Baker sings while he flips ("love walked right in . . . and drove the shadows away") in a romantic golden voice custom-built for Mr. Plain Citizen. Sugar daddy Menjou gets...
Between the acts, there was a Battle of Bands-two orchestras playing the same tune-one hot, one sweet. The orchestra's idea of le jazz hot was still in the wah-wah, funny-hat stage of the U.S. display bands of 1930. Maestros Alex Combelle and Andrea Leca were things of beauty in black ties and velvet jackets, but Combelle's gum-chewing guitarist wore a sweater with wide green and yellow horizontal stripes...