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David Niven and Orson Welles, Ursula Andress and Deborah Kerr, William Holden and George Raft, John Huston, Charles Boyer, Joana Pettet, Daliah Lauri, and in furtive appearances, Peter O'Toole and Jean Paul Belmondo, round out Casino Royale's company. Niven takes everything very very seriously, and has made of Sir James a proud, sensitive, prudish, retired spy in anything but the Ian Fleming tradition. He stutters too, at the start, but as if realizing it's not funny, Niven gives up this device a third of the way into the picture. Orson Welles, given one of the most thankless...

Author: By James Lardner, | Title: Casino Royale | 5/8/1967 | See Source »

Hefner may have run the Marilyn Monroe shots without her consent, but now he has no problem finding big-name actresses eager to appear in the magazine. The album so far includes Carroll Baker, Arlene Dahl, Ursula Andress, Kim Novak, Susan Strasberg, Elsa Martinelli and Susannah York. Nor is there any trouble getting unknown girls to pose; hundreds apply. Sometimes, though, there is a problem in making the copy that goes with them interesting enough. For instance, the latest Miss January, Playboy said, would love to be a nurse. She was "Albert Schweitzer's fairest disciple. She has read each...

Author: /time Magazine | Title: Magazines: Think Clean | 3/3/1967 | See Source »

...Peppard's fellow pilots, Jeremy Kemp and Karl Michael Vogler convincingly uphold the glory of the German officer class, rattling off performances unalloyed with conventional tin soldiery and Prussian steel. Playing a hero-collecting countess who adds Peppard and Kemp to her trophy shelf, Ursula Andress is considerably handicapped by high-cut period costumes, though she manages to slither out of them from time to time...

Author: /time Magazine | Title: Cinema: Heels in the Air | 7/8/1966 | See Source »

...Ears. Pairing Jean-Paul Belmondo and Ursula Andress in a feckless adaptation of Jules Verne's The Tribulations of a Chinese Gentleman, Director Philippe de Broca overbids to repeat the success of his hilarious mock-action thriller, That Man from Rio. The trouble is that Director de Broca's imitation of his own winning formula is not a whit better than anyone else's, and a good deal worse than some...

Author: /time Magazine | Title: Cinema: That Man in Hong Kong | 5/27/1966 | See Source »

Gimmicks dominate characters. One has the constant sensation of being on a movie set. Where Bond carries a pen-sized aqua lung, Miss Andress calls a crane to kidnap the beach-house Mastroianni is sleeping in. The gimmick is bigger than she is. The whole set, the whole movie, become one tiresome gimmick...

Author: By Jeremy W. Heist, | Title: The Tenth Victim | 1/24/1966 | See Source »

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