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Word: andrews (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

What would provide the most stimulating change of pace after Starlight Express's romance of the rails? For Andrew Lloyd Webber it was the sweep and dash of pure old-fashioned romance. He found it in French Novelist Gaston Leroux's 1910 thriller Le Fantome de l'Opera, long a standby for stage and screen adaptations (notably Lon Chaney's 1925 silent horror film). The version devised by Lloyd Webber and Librettist Richard Stilgoe dispensed with much of the novel's narrative superstructure to focus on two characters: the gruesomely disfigured genius who haunts the Paris Opera and the young...

Author: /time Magazine | Title: Show Business: Chills, Thrills and Trapdoors | 1/18/1988 | See Source »

...Composer Benjamin Britten, responded immediately to the Phantom's soaring tenor line. "I had only to hear the first eight or so bars to know that Phantom was something quite special," he says. "The score sent chills down my spine the first time I heard it, and still does. Andrew's got me singing from the bottom of my heart to the top hair on my head...

Author: /time Magazine | Title: Show Business: Chills, Thrills and Trapdoors | 1/18/1988 | See Source »

Hmmm. Talent, friendship, strife, love interest, money -- it seems to have everything. Now there's uplift for you! We'll call it Andrew Lloyd Webber and His Amazing Technicolor Career. I think we've got a winner...

Author: /time Magazine | Title: Show Business: Magician of The Musical | 1/18/1988 | See Source »

...pinstriped flannel suit digging into his sole at La Cote Basque could be mistaken for just another of Manhattan's prosperati were it not for one distinctive habit. Sometimes it comes during pauses in conversation, other times in mid-thought. Ever so softly, but frequently and with total absorption, Andrew Lloyd Webber is humming to himself...

Author: /time Magazine | Title: Show Business: Magician of The Musical | 1/18/1988 | See Source »

...that the Lloyd Webbers' temperaments make for a volatile mix. "We are both totally impractical because we let our emotions take first place," says Brightman. "Nothing is ever bottled up. If we feel something, we'll say it. It's wonderful, because you always know where you are with Andrew." Where Andrew is quiet and reserved, Brightman is vivacious and open; where he favors conservative suits that match his Tory politics, she tends to flamboyant costumes that round out her slim figure, luxuriant Burne-Jones tresses and alabaster skin...

Author: /time Magazine | Title: Show Business: Magician of The Musical | 1/18/1988 | See Source »

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