Search Details

Word: andrzej (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...sooner, as conceived by two bright New York architects, Charles Gallichio II and Jan Andrzej Dabrowski. Their dream airport is merely one of the more imaginative of a number of new proposals for airports located at sea or in other large bodies of water. There is nothing dreamy about the impetus be hind the proposals. Land-based airports are already jammed with traffic, and real estate for new ones is scarce and expensive. Even when sufficient open space can be found, local citizens are sure to mount powerful objections to the noise, danger and air pollution of a major modern...

Author: /time Magazine | Title: The Future: Airports at Sea | 5/30/1969 | See Source »

Ashes and Diamonds--Andrzej Wajda's fine film about life and death in postwar Poland. At the BRATTLE...

Author: NO WRITER ATTRIBUTED | Title: Movies and Plays This Weekend | 11/22/1968 | See Source »

...sadly noted the decline in the "quality of indignant statements." If enough such statements "come pouring out after someone is shot or blown up," he wrote, "it is almost as good as solving the crime." When a Polish alder man proposed renaming an expressway after the Polish General Tadeusz Andrzej Bonawentura Kosciuszko, Royko explained why the idea would never work. "In fact, 98% of all policemen cannot spell it, so it would be impossible for anyone to get a ticket...

Author: /time Magazine | Title: Columnists: Love & Hate in Chicago | 7/1/1966 | See Source »

Eroica, made in 1957 by Polish Director Andrzej Munk, who died in a 1961 auto crash, reaches the U.S. with a reputation as a classic. But Munk's film stands up less well than Ozu's under the glare of posthumous appraisal. It looks like a roughing out of the masterwork that it was meant to be-one angry young Pole's bitter, blackly comic jeer at wartime myths of courage and honor...

Author: /time Magazine | Title: Cinema: Polish Variations | 1/28/1966 | See Source »

...their relationship in Auschwitz concentration camp, one as a strong-willed prisoner, the other as a vindictive German guard. There, in an unexpected reversal of the usual atrocity tale, the guard is revealed to be not the master but the victim of the evil power she owns. Polish Director Andrzej Munk died in an auto accident in 1961 before the film was finished, but admiring associates fleshed it out with narration and eloquent still photographs to shape a classic, poignant memorial...

Author: /time Magazine | Title: Cinema: Festival in New York | 9/25/1964 | See Source »

| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | Next