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Eroica, made in 1957 by Polish Director Andrzej Munk, who died in a 1961 auto crash, reaches the U.S. with a reputation as a classic. But Munk's film stands up less well than Ozu's under the glare of posthumous appraisal. It looks like a roughing out of the masterwork that it was meant to be-one angry young Pole's bitter, blackly comic jeer at wartime myths of courage and honor...

Author: /time Magazine | Title: Cinema: Polish Variations | 1/28/1966 | See Source »

...their relationship in Auschwitz concentration camp, one as a strong-willed prisoner, the other as a vindictive German guard. There, in an unexpected reversal of the usual atrocity tale, the guard is revealed to be not the master but the victim of the evil power she owns. Polish Director Andrzej Munk died in an auto accident in 1961 before the film was finished, but admiring associates fleshed it out with narration and eloquent still photographs to shape a classic, poignant memorial...

Author: /time Magazine | Title: Cinema: Festival in New York | 9/25/1964 | See Source »

...Bergman (Wild Strawberries); France's Alain Resnais (Hiroshima, Man Amour) and Francois Truffaut (The 400 Blows); Italy's Federico Fellini (La Dolce Vita), Michelangelo Antonioni (L'Avventura) and Luchino Visconti (Rocco and His Brothers); England's Tony Richardson (Look Back in Anger); Poland's Andrzej Wajda (Kanal) and Roman Polanski (Two Men and a Wardrobe); Argentina's Leopoldo Torre Nilsson (Summerskin); India's Satyajit Ray (Father Panchali...

Author: /time Magazine | Title: Cinema: A Religion of Film | 9/20/1963 | See Source »

...Andrzej Wajda's Polish section is a bit wooden and contrived, and the stark background of Warsaw is no setting for a young romance. The Italian sequence, by Renzo Rossellini, is predictably decadent, involving the passion of a kept man for a new, younger mistress...

Author: By Joseph M. Russin, | Title: 'Love at Twenty': Five Viewpoints | 7/19/1963 | See Source »

There are five episodes in Love. The one from Italy is directed by Renzo (son of Roberto) Rossellini, the one from Germany by Marcel (son of Max) Ophuls, the one from Japan by Novelist Shintaro ("The Japanese Franç01s Sagan") Ishihara, the one from Poland by Andrzej (Ashes and Diamonds) Wajda. Wajda's work is keen and sardonic, but the episode from France, directed by François (Jules and Jim) Truffaut, makes the other three look sick sick sick. It is cruel, touching, funny. It is true to life at an age when life is true...

Author: /time Magazine | Title: Cinema: Amorous Anthology | 3/8/1963 | See Source »

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