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Word: ands (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

Peering through grillwork gates, over garden walls and from doors, windows and moving dollies, three television cameras probed last week into the anguished doings at the great house at Thornfield in Studio One's dramatization of Charlotte Brontë's Jane Eyre. Not all of Studio One'...

Author: /time Magazine | Title: Radio: High Polish | 12/26/1949 | See Source »

No Respect. The professional sheen is applied by a cherubic-looking producer named Worthington Miner, 49, who came to television ten years ago with a directorial credit list of Broadway hits (Five Star Final, Reunion in Vienna, On Your Toes). Borrowing liberally from stage & screen (he also did a stint...

Author: /time Magazine | Title: Radio: High Polish | 12/26/1949 | See Source »

As for dramatic quality, Miner admits that it's mostly a matter of guesswork: "Plays considered surefire ahead of broadcasting time usually end up at the bottom-that happened to comedies like June Moon and Boy Meets Girl. But Turgenev's Smoke, which was expected to leave people...

Author: /time Magazine | Title: Radio: High Polish | 12/26/1949 | See Source »

No Tension. Though he can boast such entertainment highs as his modern-dress Julius Caesar, the tense The Rival Dummy with Paul Lukas, and the pyrotechnic pageantry of Battleship Bismarck, Miner feels that "the best type of play for us is the psychological melodrama-it always gets the best response...

Author: /time Magazine | Title: Radio: High Polish | 12/26/1949 | See Source »

Besides Studio One (sponsored by Westinghouse), Miner also produces for CBS-TV The Goldbergs and a weekly children's show, Mr. I. Magination (Sun. 6:30 p.m.), which is a good deal better than its coy title. He sees TV as more closely related to the theater than to...

Author: /time Magazine | Title: Radio: High Polish | 12/26/1949 | See Source »

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