Word: ands
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Dates: during 1980-1989
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Such a metaphor is available in Driving Miss Daisy. If you look hard, you can find in this account of the 25-year relationship between Daisy Werthan (Jessica Tandy), a genteel Southern, Jewish matriarch, and her black chauffeur, Hoke Colburn (Morgan Freeman), a microcosmic study of changing racial attitudes in...
Director Bruce Beresford's tone is cool and shadowy -- like Miss Daisy's fine old house. Hoke is introduced into it by her son Boolie (Dan Aykroyd, displaying full credentials as an actor), when at 72 Miss Daisy careers her car into a neighbor's yard. She has objections, suspicions...
But Hoke is a wise and patient man. And Miss Daisy is a woman worthy of those qualities. She may be comically set in her small ways, but she casts a shrewd eye on her immediate world. As she ages, that world shrinks, so that Hoke looms ever larger within...
One cannot speak too highly of the subtlety that two great actors, Freeman and Tandy, bring to their roles. Or of the faith that Beresford places in their ability to convey large emotions through an exchange of glances in a rearview mirror. Or of his trust in a script that...
It just slips under the wire as the first large-scale Civil War film of the decade. And it may be the last of the millennium, so far out of favor (and economic viability) have historical epics of all kinds fallen. Maybe one's good response to Glory derives from...