Word: ands
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Dates: during 1990-1999
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1921. Six Characters in Search of an Author is performed in Rome. Pirandello challenges the conventional distinction between illusion and reality as well as authorial omniscience--the whole business of tyrannically driving "his" creations along to some preordained point. This prefigures what may be postmodernism's most interesting idea: it...
1922. Ulysses is published. So is T.S. Eliot's The Waste Land. Some claim it is a hoax, a parody of modernism's obscurantist tendencies. Others see its analogies to Joyce's work. Both are inferentially portraits of a pullulating urban landscape; both wear their classical erudition boldly. Which is...
We need not choose between these visions. Both are true. Both are untrue. What we need to do is wonder at how firmly this brief, incredibly fecund period set the terms of the cultural argument that would preoccupy the rest of the century. The shock of the new drew much...
It was not that tunes would suddenly disappear from music or realistic representation of the world from art or narrative cohesion from fiction. Increasingly, though, these comfortable and reassuring sources of pleasure were segregated in a popular culture that was dismissed by finer sensibilities as aesthetically retrograde. Nor was it...
All proposed, seemed sometimes to wallow in, what appeared to be--often joyously, often grimly was--chaos. "Things fall apart," Yeats wrote in The Second Coming (in 1921, of course), "the centre cannot hold; mere anarchy is loosed upon the world." It was the century's earliest epitaph, and is...