Word: ang
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...with the so-called Father Knows Best trilogy (Pushing Hands, The Wedding Banquet, Eat Drink Man Woman), was a father-teacher to Zhang the budding actress, to Yeoh the tentative Mandarin student, to Chow the man on the flying bamboo. And behind Lee was another family figure--the young Ang, mesmerized by tales of great fighters and images of impossible physical grace...
...Asian star power, Crouching Tiger depends on Jen--on Zhang, in only her second film. The actress says she labored under "a pressure not to disappoint the director. I felt I was a mouse and Ang Lee a lion." When first seen, Jen seems lovely but unformed, a dreamy adventuress, a spoiled rich girl with a skill to match her will. Gradually, though, Jen (or, rather, Zhang) reveals a more toxic, intoxicating beauty. Will she become a fearless heroine or a ferocious killer? Zhang, surely, is guilty of one crime: she steals the film. "She allows the audience to pour...
However much the middle-aged Ang Lee suffered in making this exquisite film, he should take a little pleasure in knowing that he helped realize the young Ang Lee's dream...
...daft enough to choreograph these nonstop battles? The answer is Yuen Wo-ping, stunt master supreme and, not incidentally, the director of a couple of dozen films--among them some of the most exciting in Hong Kong movie history. "He's directed more movies than I have," says Ang Lee. "And better ones...
...though, Yuen had a collaborator as stubborn as he is gentle--determined to put on film the beautiful, impossible stunts he had dreamed of since childhood. Yuen had to play the stern adult. "Ang would say he didn't want to shoot things Wo-ping's way because it was an Ang Lee movie," Chow Yun Fat recalls. "But his ideas couldn't be worked out. Finally, he'd go to Wo-ping and say, 'Master, I'm wrong. Let's do it your way now.'" But Lee did persuade Yuen of the need for the film's bamboo scene...