Word: angela
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Dates: during 1990-1999
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Students such as Canaday resident Angela S. Marinilli '97 and Leverett House resident Paul Li '96 said they are wondering about the fates of their roommates, who were supposed to arrive yesterday...
...actresses, the idea of emulating Merman is intimidating, but the part has proved irresistible. Rosalind Russell memorably played it on film in 1962. A 1974 Broadway revival brought Angela Lansbury a Tony award, and a 1989 revival did the same for Tyne Daly. Gypsy has never been better told nor Momma Rose more arrestingly played, however, than in the 3-hr. CBS television version to air this Sunday starring Bette Midler. If there is ever again to be a mass audience for filmed musicals more complex and less percussive than MTV videos, this is the vehicle to blaze the path...
...Harvard recipients are Niko Canner '94 of Amherst, Mass.; Arthur P. Chu '94 of Albequerque, N.M.; Alexander M. Johnston '94 of Amherst, Mass.; Paras P. Mehta '94 of Cerritos, Calif., Tracy Tomlinson '94 of Nashville, Tenn.; and Angela Lee '92. They will receive scholarships for two years of study at any British university...
Voices, written by Susan Griffin and directed by Jeanne Smoot, presents the lives of five contemporary women, each attempting to understand the course of her life. Maya (Leslie Yahia), Kate (Jeanne Smoot), Erin (Angela Delichatsios), Rosalinde (Emily Gardiner) and Grace (Erin Scott) have had very different lives: they are, respectively, a divorced mother writing her Ph.D. thesis, a retired actress, a patient in a mental hospital, a mother mourning the loss of her children to their adult lives and a new-age hippie...
This was particularly true for Angela Delichatsios. Delichatsios's character is insane, the victim of a broken home, a mad mother, and a suicidal twin brother who had also been her lover. To be fair, her lines are among the most melodramatic and self-conscious in the play. She has the farthest stretch to make in constructing a core of believability around her character. However, her attempts to build a character who is simultaneously out of touch with reality but also accessible to the audience's experiences break down quickly. Delichatsios pulls at her pajama-like clothing to indicate nervousness...